The hatred of the Germans towards the Jews is just like the feelings of the Japanese towards the Chinese. Unreasonable hatred and discrimination, unreasonable massacres, distorted faces with excitement, and extreme psychology are beyond our comprehension. This is just the tip of the iceberg shown in the image. What the real history will look like is still unknown to us now. We can only sigh in front of the screen for everything that the Jews and Chinese have suffered at that time, without any physical pain.
Trapped in the train, there is hope for life, and the only result is the collective massacre. When these Jews are driven off the train, it is difficult to describe the despair in words. So I understand the reason why the women screamed in the bathroom in the end. The high-hanging sprinklers give people a sense of uncertainty, because after hearing something, in this place, the road to the future is only gased-poisoned to death. When the water gushes out, human emotions are released instantly, just like a flowing liquid.
To be honest, I really admire Lao Si. How could he come up with the idea of making a black and white film? The key is that it is not completely black and white, the red that the little girl has a glimpse of, the flame of the candle, and the appearance of the final color picture. The connections are all natural and don't feel obtrusive. The little red girl who was praised and praised by everyone just showed up for a little bit. I couldn’t see the red color in the scene of death if I didn’t concentrate. This should be what Old Si wanted, for the first time. Appearing is hope, and in the end it is the blood of death.
How many people can one person save? Use all his belongings to gain the approval of thousands of Jews as a German? How many Schindler are there in this world? How many people can be as lucky as the worker in Schindler's factory or the Polish pianist? Luck in the world is still very important, really important. Although I don't believe in God, there are certain things that cannot be explained so thoroughly scientifically.
The last scene was the best: when the actors led the characters they played to Schindler's grave one by one, there was an indescribable shock. I really like seeing Ben Kingsley supporting Stern's wife. It is respect and memorial.
Finally, I was able to take a good look at what Liam Neeson looked like, and it turned out to be a black and white film. I think this name sounds weird, but I can't say how weird it is. I've only heard Aslan's voice before, and it is indeed magnetic enough. I haven't watched Star Wars much, so I didn't know di even after watching this movie.
In World War II, the old guy Spielberg was really exciting. Ryan and Schindler changed my perspective on war movies. Or, the three-hour movie, your old man, really makes me overwhelmed...
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