The title word Zootopia comes from utopia, and it may be appropriate to translate it into animal topia. It just doesn't sound good.
Disney’s 55th animated feature film still maintains their own three views and story aesthetics, striving to make it easy to understand for all ages. Just take the usual path, but the details are rich and moving. In this era of increasingly reliant on flavors to gain eyeballs, this kind of inheritance spirit is respectable.
More than a decade after completing its 2D animation business, Disney used a three-dimensional work to go back to its golden age. Those other works that are different from the princess system use animals to completely simulate the story of human society (such as " "The Lady and the Tramp" "Robin Hood"). It's just that with the changes in aesthetics, the former pure fairy tales are now becoming more realistic.
Those who have seen this type of film are definitely not difficult to guess the key points of several flips, but the foreshadowing of the big and small links is still very natural. The character's history is well-known, and it is still touching, and it has nothing to do with whether it is conventional or not. This is what this kind of partner suspense comedy should do. It may be because of the length of time and I don't want to be too entangled in emotional conflicts. In fact, according to the context of this reasoning story, it is actually a bit slower. But it is already a relatively long one in Disney animation.
To use an old-school analogy, "Detective Chinatown" is like Yan Ji who has torn away those pages. It can be sold like that. The real Hu Fei is here.
Finally, watching the fox Le Youyou sit in the police station, he suddenly felt the illusion of watching the prequel of "Detective God Annoying".
By the way, the heroine showed off the beauty of the Acup girl quite well.
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