I understand that LALALAND within is not a story about dreams.
Seb was an out-of-life jazz genius at the beginning. Later, Seb went to play Fusion Jazz, holding an offer of 1,000 dollars a week, but at first he couldn't let go of his old face to do it. Such a person understands his abilities, so it is safe to go to the restaurant to play Christmas songs, and to go to the Party to play golden songs.
Mia itself is also a very talented actor + screenwriter. Many people did not pay attention to the clips of the opening call and audition. In a short period of time, Mia had several emotional transitions that were so exciting. Later, she stayed alone in the room and wrote a few months. The ability of a one-act play is not something ordinary people can do.
People like Seb and Mia were so willing to be dull at the beginning because they were already strong. How many people have spent their entire lives with just enough ability to go to a restaurant to play the piano.
The realization of the dream of the last two is more like a natural thing that was discovered by Bo Le.
I was sad that Mia auditioned for the song last, not because I was about to get out of my head when I saw Mia, but because I knew that the Aunt that Mia had always mentioned, died in such obscurity, and that jumped into the Seine in Paris, it was a literary art. Aunt, who lived his entire life, died prematurely because of alcoholism. After the birth of a Mia, how many people were sacrificed behind him who died in obscurity on the way of dreaming, but were not capable enough.
We all want to be people like Seb and Mia who chase and realize their dreams, but the reality is that most people can only be the Aunt who lives in this song.
And that's why they need us, so bring on the rebels. So bring on the rebels. The ripples from pebbles. The painters, and poets, and plays. Poets, actors
To all the little ripples who are not talented enough
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