I'm sorry, I can't agree.

Kasandra 2022-03-21 09:01:09

The script is wonderful, the actors are in place, and the photography is outstanding. This is a movie that runs counter to my outlook on life. If I want to do something like Andrew is a drummer, then I will immediately choose to give up. Because firstly, it shows that this matter is not within the scope of my ability, and secondly, I think doing this will greatly reduce the happiness of life. Obviously Andrew didn't think so. He desperately desires a blockbuster. I don't agree, but I respect his point of view. However, the two things he did afterwards had to make me feel that he was a bullshit. First, he and Nicole broke up (the breakup is not very accurate, it is stop dating). Please pay attention to when he started to hook up N and at what time did he propose to terminate the relationship between the two? The former is after being appreciated, and the latter is after being hit. So this is, when I think I’m pretty awesome, I must have the energy to talk about a relationship; when I think I’m a loser, I think the girl is a stumbling block on my short-lived road, so I can just throw her away. Kick away. It reflects the problems of self-cognition and the extreme irresponsibility to others. Personally, I think the best way to talk to N after he is criticized. It's a pity that A is pretentious. How could a great god tell ordinary people about his failure? Hehe, self-kidnapping, self-inflicted. The second thing is that he complained to Fletcher. A and F can be said to be hated by love. The two of them are the same kind of people, and they both think that people must push themselves to the limit to succeed (I don’t agree with this point. I think it’s their own qualifications that are too low to myth the successful people, and the so-called successful people are more or less There are some talents, and there are no talents A and F). So why do you want to complain to a person who has the same three-pointed view as yourself? Obviously for revenge. Revenge F didn't recognize himself, revenge F's devilish way of education, even if he had enjoyed it. So this incident is somewhat of a public revenge. In addition, Fletcher. F is the most distinctive character in the movie, and even Andrew can be regarded as his foil. He has his own ambition-to train a great, a very famous musician. But his method is more anti-human. I personally oppose this kind of education. After all, the real genius will be happy in what he does. F’s approach will only make it very boring for those talented to misunderstand that what they love is very boring. If you resist emotions, those talents can easily be buried. F has cultivated great people who are fools through repeated practice. I personally think that this sacrifice is too great to make ends meet, so it is not necessary. After F retaliated against A, I realized the dark side of F. Set up such a round to trap A, Jiang is still old and spicy. At the same time, I also began to wonder if the swear words F scolded at the students were really purely for educational purposes? In terms of his revenge against A, I don't think it is. F was aggrieved by too many distortions and ugliness that the movie did not explain. Part of the reason for his way of education was to vent himself. Both A and F are hardworking people. Maybe they don't have any talents, but this effort is enough for them to find a place, which is enough to be admirable. But they all have defects in their personalities, and these defects lead to their paranoia, which leads to their mutual crippling.

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Extended Reading
  • Velda 2022-04-24 07:01:02

    Once he became famous all over the world, he used to be filthy and not enough to boast, since ancient times, strict teachers have produced high apprentices! Even call Master Yan Dad! Once he jumped off the building and spread all over the world, he used to have blood in his eyes, and he still called Master Yan his father? Since ancient times, companion teachers are like companion tigers!

  • Sincere 2022-03-23 09:01:09

    It’s disgusting, this is the most disgusting movie I’ve seen in my life that insulted Jazz intentionally or unconsciously. I’m really going to vomit.

Whiplash quotes

  • Terence Fletcher: I don't think people understood what it was I was doing at Shaffer. I wasn't there to conduct. Any fucking moron can wave his arms and keep people in tempo. I was there to push people beyond what's expected of them. I believe that is... an absolute necessity. Otherwise, we're depriving the world of the next Louis Armstrong. The next Charlie Parker. I told you that story about how Charlie Parker became Charlie Parker, right?

    Andrew: Jo Jones threw a cymbal at his head.

    Terence Fletcher: Exactly. Parker's a young kid, pretty good on the sax. Gets up to play at a cutting session, and he fucks it up. And Jones nearly decapitates him for it. And he's laughed off-stage. Cries himself to sleep that night, but the next morning, what does he do? He practices. And he practices and he practices with one goal in mind, never to be laughed at again. And a year later, he goes back to the Reno and he steps up on that stage, and plays the best motherfucking solo the world has ever heard. So imagine if Jones had just said, "Well, that's okay, Charlie. That was all right. Good job." And then Charlie thinks to himself, "Well, shit, I did do a pretty good job." End of story. No Bird. That, to me, is an absolute tragedy. But that's just what the world wants now. People wonder why jazz is dying.

  • Terence Fletcher: Everybody remember, Lincoln Center and its ilk use these competitions to decide who they are interested in and who they are not. And I am not gonna have my reputation in that department tarnished by a bunch of fucking limp-dick, sour-note, flatter-than-their-girlfriends, flexible-tempo dipshits. Got it?