Then why would I like Deadpool? Because it's "really cheap".
In the films I mentioned above, the characters playing lowly have a strong performance nature. What does it mean? Although they put themselves very low, they still keep a certain distance from the audience, which is equivalent to telling the audience: Although I It's very low and cheap, but I'm still acting instead of acting and not selling myself. You'd better like it. If you don't like me, there is nothing I can do. This feeling.
Deadpool is not. During the filming process, he has been communicating with us.
Among Marvel’s numerous characters, Deadpool is the only one who can directly communicate with the audience through the screen, and the only one who knows that he is a fictional character. This is reflected in two places in the film. One is that when Gang Lux and Empress Black went to the highway bridge to stop him from killing Francis for the first time, he said something to us off the screen, and Gang Lux said that I too I can hear you, Deadpool said that I didn't tell you, I told them to listen. At this time, my finger is outside the screen. The other was in the laundry. He said that he broke the fourth wall of the fourth wall, that is, broke 16 walls, because he can communicate with the screenwriter as well as the audience. This "anti-hero" setting makes me very comfortable with the superheroes who have long been bored with Marvel's fairy-like superheroes.
With this setting, Deadpool became very good at communication. For example, a series of slow motion came to a sudden pause, and his question was inserted: Did I turn off the gas valve before I went out? This makes me smile, because I often can't remember if I locked the door when I go downstairs. At the end, Deadpool pulled out a pistol to kill Francis, and the steel frame had to say a lot of truths, but when it was three, Deadpool pulled the trigger. I was happy because at that time I I'm also about to start annoying. Small details like this with strong "communication attributes" are everywhere in the film. He uses the habit that we will have in our lives to close the distance with us. This, I call it "really cheap" .
Now that it comes to distance, I also share an understanding when watching this film. Don't worry, it doesn't hurt.
That is: the more positive a character is, the closer it is to the audience, and vice versa. This principle also applies to the grading of positive characters.
What do you mean, let's look at the first sentence first. In the movie Deadpool, the negative characters are far away from us. They basically don’t communicate with us. They just do all kinds of bad things according to their villain attributes, don’t tell jokes, don’t tremble, and talk to the positive characters. He has never had a good face. The villain among them is not even willing to tell us his name. If it weren’t for Deadpool to remove his laundry label, we didn’t know his name was Francis until the end, so he asked again and again. Deadpool "Tell me, what is my name". This is already considered to be more communicative. Another female Hercules (Sand Dust Angel) has few lines. She speaks with her fists and is farther away from us.
On the other hand, in the positive character camp, all of them are vying to communicate with us. His girlfriend Vanessa and Deadpool have crazy sex, shaking all kinds of stalks, and the most stubborn friends are good friends, except for the stalks that shook when Deadpool talked with us. , Just the base friend (weasel) shakes the most, and his self-interest and timidity are also exposed.
And the blind old lady, her interaction with Deadpool outlines what it looks like when Deadpool is flying. Ganglishi’s iron egg was beaten by the sand angels, and the Queen of Darkness does not forget to post to the circle of friends at the moment, and they are also very cute. And the more these positive characters interact with Deadpool, the closer they are to us, which is mainly reflected in the weasel. This role is the most written and written in addition to Deadpool. It is more three-dimensional than Vanessa, because Vanessa is responsible. Love, and friends are responsible for cuteness.
These positive characters make us feel and accept them through various very communicative details, while the negative characters reject us because of lack of communication. It can be seen that we like a person, not because they are scary, but because they are cute. This principle also applies to a company, an organization, and a country. Intimidation and violent deterrence can never be subdued, but a lovely culture is easy for people to take the initiative. This is more powerful than two hundred "whatever"s and two thousand four hundred "core values". In fact, "whatever" and "core values" cause memory pain, I don't see any other meaning, and pain is meaningless.
WeChat: Wild critics
17:06:54, May 1, 2016
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