In this year’s Oscar, the attribution of the biggest award for Best Picture has reached the lowest point in history. The best director has not been the subject of being re-elected by the same person for two consecutive times. The vision of fans and non-fans around the world is focused on the duel of the movie actor. . When Leonardo DiCaprio, who was affectionately called the "little plum" by the Chinese, held the Golden Man in his hands, the media sensation was like Hong Kong's return or Beijing's successful bid for the Olympics. Perhaps, this is the plot of the Chinese "Titanic"... For Xiao Li's Olympic competition, there are four words in the comments given by the media that are particularly eye-catching: play hard. From "Different Sky" to "The Aviator", from "Blood Diamond" to "Wolf of Wall Street", "Wild Hunter" is the only one among the five nominations to be hailed as a "fighting show". What did you do? After coming out of the theater, I gave spoilers to friends in the circle on WeChat the first time. The original text is: The show is the show, why is it called a fight for life? I just saw it. Wrestled with the brown bear for 5 minutes, and even used a long shot. The bears in the circus are not good either! Back: Long shots? ! This is too hard. This is probably the most direct interpretation of the word "fighting"? There is another point in the play where Glass (Leonardo DiCaprio) ran wildly to avoid chasing and fell into the deep valley together with the ugly hyena-like piebald horse. The same long mirror is also fighting for life. It is unknown whether the two long-term mirrors used technological means (cheating). (In the 2009 Argentine film "Mysterious Eyes", the long stadium shot that blinded everyone's eyes was revealed by fans that it was composed of 5 or 6 shots, which was disappointing. It also made me disappointed by the above two groups. The authenticity of long shots is in doubt.) 3. A 5-minute ordinary long shot. For Alessandro Gonzalez Inarido, who has directed "Birdman", he is familiar with the road. It may be included in a certain set of uncut shots. This man relied on "Love is a bitch" to create a world, and then filmed "21 Grams" and "Babel". The three masterpieces disrupted time and space, splicing scenes of middle-class family ethics dramas in disorderly order. One day Xu Shi suddenly watched a fat man's "Rope" and became insane. He changed his style and started filming "Birdman" to challenge the fat man. From then on, he embarked on a way of saying goodbye to the cross-narrative. In "The Wilderness Hunter", the desolate and primitive scenery in the forest, sunlight shining from among tall and straight trees, turbulent rivers rushing against ice and rocks, and wide-angle shots of human beings in the vast wind and snow fields, all show Out of the director's solid and extraordinary photography skills. In a scene in which a pack of wolves rushed away from the cattle and hunted the adult cattle together, the vast fields, frightened herd of cattle, and biting wolves were perfectly presented in one picture, making the people in the play Glass and We who were outsiders were shocked at the same time. The glass of the former is shocked by nature's law of survival of the fittest, while the latter's we are shocked by nature's law of survival of the fittest and the sense of screen presented by the screen. Here, the hungry wolf has become a "wilder hunter" on this plain. The uncertainty of the “wilderness hunter” status change at any time has become another highlight of the film. Not only the wolf, but the moment the brown bear pounced on Grasse, the Indians attacked the white man, Fitzgerald (Tom Hardy) killed the son of Glass, etc., all belong to the "wilder hunter" of the time and place. Towards the end of the film, Fitzgerald was exhausted like an elk, and Glass began to track down his murdered enemy. The tracking here corresponds to the shooting of the elk at the beginning of the film, making Grasse the first and last "wilder hunter". The multiple conversions of hunters and prey also give multiple interpretations of the title. Compared with the other nominated works, in all fairness, "The Wilderness Hunter" is more open, and the theme is also grand and heavy. The feeling of debt to the aborigines, the fate of reincarnation and karma is also looming in the film. Regarding the choice given by the Oscar judges, "Focus" is more of a kind of social concern. It judges the situation and grasps the situation to win in one fell swoop, demonstrating the superb strategic vision of the production team. The impression given by Oscars is always commercial and lacks quality. It cannot be compared to Cannes, Berlin, and Venice in terms of artistry. But she is able to attract more people's attention and make mainstream non-mainstream film workers worship her skirts. Even Fellini could not help "a bitter tear" when he received the Oscar lifetime achievement award. France, which is at odds with Hollywood, has been in a state of jubilation after Juliet Binoche was nominated for an Oscar. If you compare Oscar to shit, it is also a lovely fruit-flavored shit. Lastly, Xiao Lizi’s award-winning speech about global warming was wonderful and touching.
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