I'm also drunk, so why always come here to think about watching a movie, and all I meet are long and protracted but highly acclaimed movies. After tricking me out, rigmarole gave me a face. Is it really my patience? Isn't it enough? First, the indiscretion of "Old Cannon", then the dullness of "Wild Hunter", and then today Quentin was stuffed with an old Civil War saying that has little to do with the climax. The low-level suspense setting and the shameful practice of keeping the audience in the dark (how, I want the true fans to shout: Kunkun is domineering, don't even want to know if he doesn't tell you?). I asked myself, I have watched so many literary films, and I still have the skill to sit down and watch the show. I also know that waiting for a big burden is not anxious, but the premise is that this is really an effective foreshadowing. With this one, let alone the first half, I couldn't figure it out, even when I was killing someone, I wanted to fast forward. I won't talk about other minor shortcomings and old technologies, but only the most obvious loopholes. The title is hateful eight, right, but it's not clear who these eight villains are. Could it be that the two bounty hunters and shriff are also villains? Anyway, the eight people on the poster belong to them. And if it is said that the person who played the leading role and played the most roles is really not included in the eight people, then I really don't know what the name means. The biggest loophole is that the film never explained how the fake hangman got his proof. Of course, we don’t need to explain to ourselves to guess that this is to save Daisy and he decides to adopt this identity. This is nothing at all, but this is an identity that has an unusual relationship with the prisoner and it is troublesome to forge the identity certificate, unless he can. Use this identity to get some convenience, otherwise there is no need to spend so much time and effort. The only reasonable explanation is that the director deliberately did this to increase the level of suspense and confuse the audience, but the result was so rough and unconvincing. In addition, there is the unexplained voice-over. It is not one or two that makes the film unnatural at once. It gives people a feeling that the director can't move the film, so he can just come up with a few words to fool the whole thing. These two points are all Western-style lines. So I think if this is an audio book, maybe I can give a high score.
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