The focus of watching movies should not be on the heroine, otherwise both movies are only worth three stars. The female protagonist is a bit similar to Eshmael in the Moby Dick. She mainly serves as a narrative perspective in the film. As far as the role is concerned, it can be summed up as a maternal love force with three skill points full, and the others are at the level of ordinary people. (Even the name is silenced, more like "Ishmael") And the heroine's line of fate, at least on the road of revenge, is locked, and it is not surprising that she can't run around. With the halo of the heroine, we firmly believe that she can live regardless of being beaten, buried alive or headshot. The fun part in my eyes is the ones that were killed: Olian, Budd and Bill. Liu Yuling is probably the embodiment of Eastern beauty in the eyes of Westerners? Mei Lian’s English monologue in the gang meeting and the battle with the heroine in the snowy courtyard were so handsome and blinding. In the snow, the footprints on the ground formed a circle when the fight started, creating subtle tension. The sound of the waterwheel coupled with the blood stains on the feet of the tail lotus made me feel distressed for the villain. Budd kept keeping the Hanzo sword his brother gave him, which was quite interesting, and he obviously kept it for two hundred and fifty yuan and sold it. Originally, a shot blasted the heroine to pull the ink for so long, and it felt like she was deliberately trying to survive. At the time of death, he was ridiculed by the various strengths of the one-eyed woman for being "despicable and shameless", and he was really wronged, and only later realized that those words were actually used to mock the one-eyed dragon himself. Well, Bill, it’s a bit like a bride in some ways. One is dedicated to revenge and the other is dedicated to death (probably). It's hard to see each other or not to pinch each other. In the end, it's a lady first with more grace. There is too much to say, but everyone alone can't hold up a movie. At this time, the beautiful Uma Thurman needs to string these people together. There are pictures and soundtracks that have been badly collected. Personally, I think the first part is much more beautiful than the second part, with black and white shots, blue background, music to control the rhythm, and a compliment to the snowy place. And the only thing that impressed me in the second part was the part that followed Baimei to learn martial arts. The taste of China is a bit like, at least better than the king of kung fu. White eyebrows are also cute. On the soundtrack, bang bang echoes the end of HE with a lot of tragedy. In the end the bride lay alone on the bathroom floor and wanted to laugh, it was certain, but did she cry for Bill when she said thank you hoarsely? The female protagonist has been in a nervous state of high tension and excitement for quite a long time, similar to the meaning of the GOODNIGHT MOON lyrics, suddenly everything is over and she can finally get out of control: what should I do? I'm just a little baby! Of course, all soundtracks follow the emotions of the heroine, acting as the heroine's inner os. In addition, these soundtracks are probably Quentin's inspiration, which can explain the slightly scattered plot composition of the film. However, this is not originally a plot film. Some people say that Quentin uses Kill Bill to tell the audience that the movie does not need connotation, and without connotation, I can still make you fly. On the soundtrack, I personally like the lonely shepherd and the flower of Shura. Of course, looking at Uma Thurman's face is pretty cool, there are not many such women who are still beautiful even if they are full of blood all the time. The actors and actresses in this film are completely unbalanced, but they do not violate the harmony at all. It is amazing, but it is also possible that it deliberately violates too many places. This is no longer important. Hahaha.
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