Some directors, such as Quentin, Gerich and Peng Haoxiang, did not have much money and experience when they were not famous, the scenes were rough, the shots were ordinary, and the rhythm of the story was generally grasped. However, at that time, they had a bright personal style and a youthful spirit. Sheng's personalized expression is sharp and piercing. So stand out. Later, their techniques became more and more sophisticated, the characters were full of personality, the story rhythm was bright, the scene scheduling skills were profound, and the editing was so smooth that you couldn't find faults. But that kind of youthful and vigorous, suppressed inspiration and desire for expression, which seemed to have nowhere to vent, has gradually become scarce. In fact, what hardcore fans are most looking forward to is the spirit of directors.
However, as Miyazaki said: The peak period of a creator is only 10 years at most. Miyazaki understands this truth, so he always thinks about retirement. We can't ask for a director according to the work standards of the peak period. As a Quentin movie, it can still be said to be a boutique.
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The Hateful Eight reviews
