The consumption of class consciousness in the film also lies in leading the audience to break through the taboos of reality and taste the pleasure of crime. Scott can be said to be a contemporary Robin Hood, stealing like the rich and helping the poor, satisfying the audience's moral demands for the lack of social justice. This fits the core proposition of all superhero movies. Of course, the core of the story is still the conservative mainstream value. While rejecting the infinite pursuit of greed by the elite, it also relentlessly refutes the naive demands of the lower classes to rob the rich and help the poor. However, just like the complexity shown in the real society, not having the drive to fight can accomplish everything. Perhaps the struggle and success you think is just the love of the upper class for you. Fortunately, although the nature of this kind of love is nothing more than a tangible real benefit (not willing to take risks for my daughter), it is at least based on the good side of human nature and based on the most basic sense of social responsibility. Above.
As a visual effects blockbuster, the highlight of "Ant-Man" is that it uses reverse thinking to show the spatial scale brought by the IMAX screen. As stated in architecture, the human body is the standard for measuring all spatial scales. "Ant-Man" is not like a normal movie, which uses long-range, wide-angle, and large-depth shooting to make the picture accommodate more objects and show the vastness of the macro world. Rather, while the main character is shrinking, the space on the screen is enlarged with the help of the contrast of ordinary things. The different contrasts between the micro and macro visions in the editing, switching back and forth, presents a different movement tension, and also creates a lot of jokes. The first second of the picture may be very lively, but the next second is still as quiet as water.
The movement in "Ant-Man" is actually quite complicated. In an extreme case, a set of coherent fighting actions not only includes the continuous movement of the camera and the subject in space, but also the size of the subject is reduced and enlarged at any time, which requires the focal length and depth of field of the lens. Constantly changing back and forth. From one shot to another, the editing must not only maintain the continuity of motion, but also ensure the smooth connection of the space in the picture, it must be precisely designed in advance. Only in this way can the tiny ants show the aura of a mighty army.
To say that Westerners don't understand Eastern philosophy, but the profound meaning of Tai Chi: the use of small magnanimity and avoidance of strength is the first impression given to me by "Ant-Man".
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