"The Bourne Vestige" trilogy is never like this. To be honest, I don't know how many times I have watched it. Although I am familiar with it, I still love it. To a certain extent, "The Bourne Shadows" has become the benchmark of spy war films, and many later films have the shadow of the film, such as the "Hurricane Rescue" series.
In this film, Jason Byrne is calm-headed and precise in his actions, which hides his anxiety and split personality as an amnesia agent. In the face of wave after wave of fatal attacks from within the conspiracy, one after another is unpredictable. His opponent, Burnt's primitive animality became an instinctive reflection. "Master of Suspense" Hitchcock created MacGuffen, a missing billionaire heir, in his last film, Family Plot, the heir of hundreds of millions of people. Everyone is looking for him, which has caused a bigger problem. mess. From then on, this central figure that affects the pulsation of the plot has been called the "McGoffin" motif by film scholars. So in "The Bourne Shadows", the final Jason Byrne became such a motif—his identity has actually been almost revealed, so the focus of everyone’s attention is no longer how his patriotic enthusiasm is abused. But whether he can escape the chase of the master. Based on this psychological hint, the audience's enthusiasm naturally shifted to Berne's precarious life.
In the last installment of "The Bourne, the Ultimatum," the setting of the scene is clear and clear-the master tricks. Both parties are high-level agents that have been tried and tested, so the tricks are fatal and never procrastinate. The CIA monitors the "Guardian" reporter's bridge, fast-moving shots and sharp editing, and the interchange of film and monitor images-the director uses the characteristics of the portable camera and the conversion of the lens to make the audience feel like it is on the scene. In the scene of the duel with Agent Desh, there was not a little bit of camera language. The whole process was to create an oppressive atmosphere by using the conversion of follow-up and position. The two agents acted fiercely, and the hardcover book became a weapon in Jason Byrne's hands. Throwing aside those unnecessary details, the whole process even only reverberated with breathing, making it more real in the cruelty. Perhaps this is the agent we admire, real and exciting, urgent and intense, and almost perfectly connected with the agents in the real world in our minds. In the real world, we don’t trust agents who drive luxury cars and carry beauties, who can launch nuclear warheads at every turn. Such agents are too vain and false, and are too far away from the real world in our impression. Only Matt Damon is the only one. Agent, what we see is the same appearance as our ordinary people, but everywhere can turn corruption into magic, and everywhere shows the instinct and surprise of the agent.
In the third part, this movie based on the great secret agent novel has a perfect ending. If you don't know who is Robert Ludlum, then at least take a look at these three "The Bourne Shadows", you will not be disappointed.
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