Meilu compares horizontally. Of the three, I like the second one the most.
Longitudinal comparison, the overall feeling of the first part of the new version is almost the same as the third part. It's all special effects to win. Regarding the new version and the old version, compared to the new version of the male protagonist's small face, the latter protagonist is honest, serious, and kind. I like the latter a little more.
There are two classics in the first part. The first one is undoubtedly the "the greater the ability, the greater the responsibility" said by Spider-Man's uncle. The second classic is the "inverted kiss" between Spider-Man and the heroine. I believe that many girls would be obsessed with it. I think about the United States. I have to intervene in everything. I don’t know if I have the idea of “managing the world”. I personally feel that it is more or less related to this value. The United States has stronger capabilities, so naturally. There will be greater responsibility to maintain world peace and security. There seems to be nothing wrong with thinking like this.
The second one is my favorite, which highlights the characteristics of Spider-Man as a "grass-rooted hero". The setting of the story, the psychological struggles of the characters, the selective question of whether the road sees unevenness or screams or retreats behind the scenes to protect themselves, as well as some jokes are very interesting: for example, Aunt Mei was hung in the air with an umbrella by Dr. Octopus. When I was about to fall down, I found that the bottom was a platform that could accommodate another person. I quickly thanked the Virgin Mary above; for example, Spiderman lost the superpower to take the elevator and chat with another passenger there, and I often watched it on TV. Arrived: Spider-Man jumped off the building in order to test whether he had superpowers. In addition, Spider-Man riding Aunt Mei down the street is also regarded as one of the classics in the entire series. The whole movie talks about the issue of choice and abandonment, which is hard to say in reality. In the movie, Spider-Man is finally reunited with his choice, while Dr. Octopus gives up and gains liberation and immortality.
The third part is actually a little regrettable, because I am more looking forward to the third part. It is about the venom that eroded Spider-Man’s heart and turned into a black Spider-Man, the bright me and the dark me, the duality of each person. This was originally a good subject, and it was a sublimation of the second part. But the director only showed the dark side and didn't overemphasize the process of transformation. I was really disappointed that the perfunctory things that came out of the layer afterwards were really disappointing. Arrogance, jealousy, rage, laziness, greed, lust (six sins of the seven deadly sins), this is that we have powerful power in the dark side, so some people live with masks, they don’t want to give them this spirit The sense of superiority brought to them. Everyone has such a dark side, the key is to dig in and ask how to make the impression of this dark side down to MIN—not hide it.
Compared with the first two, the special effects of the third part are still greatly improved, and can be compared to the current level. The first Spider-Man Green Devils battle and the final "4P Carnival" were very enjoyable. In addition, I personally feel that this movie is still a matter of making a choice. The key is Harry's choice between friends and enemies and Sandman's choice-you have the right to choose the right path you think. Sha Ren and his uncle felt a little deliberately sensational, and a little bit bloody.
Recently, a destructive explosion occurred in Tanggu, Tianjin. I saw a friend posted a photo in Moments: a firefighter in the photo was rushing to the scene with his back to the camera, and many famous faces were facing the camera. Expressionless civilians.
I didn't know what happened to the firefighter later, but I have some feelings about it. When watching Spider-Man 2, I might be a little suspicion of deliberate sensation, but I was really moved in two places. One was Spider-Man rushing into the fire to save the little girl, but he stepped on the ground and fell down. It was the little girl who pulled Spider-Man up abruptly; the second is that Spider-Man collapsed after rescuing the train. It was a group of people who lifted them back into the train and lay down to rest and tried to stop Dr. Octopus. Even if the hero needs to be helped, seeing this scene, I deeply feel that Spider-Man is not alone, he is not alone.
And this photo makes me deeply feel that here, the hero is so lonely. The point is that some people think that heroes are what they can, even omnipotent, and we have never experienced a situation where heroes are needed without help. We also have courageous times, such as chasing thieves who stole things together, and rescued the people under the car together, but what do I think is more? It is a kind of people. I saw more incidents that helped the old man to be defrauded and no one gave evidence. The bus accused the thieves and the beaten passengers were ignored. The traffic police was dragged along a runway that was so long and there were no cars stopping.
Suddenly I thought of a sentence written by a netizen a few days ago:
"Why are bad guys always at ease, and good guys always have hard work?"
Why must it be a heroic sacrifice, and a tragic one is called a hero? Can a hero be safe and not alone?
The adults told us that more things are not as good as less things. People don’t care about you, and people don’t do that. So when we encounter problems, we retreat and shrink back. So the society is really a cruel and cold-blooded society.
This reminds me of the question of Spider-Man's choice, which is to let children see the cruel and cold-blooded side of this society, believing that the essence of this society is extremely dark. Let the children see the kindness and beauty of this society, and believe that this society is extremely bright and warm. What do you want your child to do? To be a hero or an audience?
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