This is not the European version of Quentin or Wu Yusen, although it is full of intricate gang relationships and sudden depictions of violence. An unspeakable poetry gradually exudes in the carefully designed picture, and it feels like watching a black fairy tale. The portrayal of fringe characters like speed stuntman is very unique, thanks in large part to Ryan Gosling's superb interpretation, which reveals the mentality of a taciturn character.
The label-style slow motion is exactly the same as the previous work "Bronson", but it is used more skillfully and restrained here. The first meeting of the hero and the heroine and the kissing/killing in the elevator at the end made me taste like Wong Kar-wai. Romance comes. In addition, the director is also very thoughtful about using reflective objects to expand the inherent picture space, such as the mirror in the heroine's home, the rear mirror when the hero is driving the car, and so on. The most successful is the extremely realistic reproduction of the California style of the 80s. Whether it is the scorpion jacket of the leading actor or the nostalgic soundtrack, it easily hits my sensory cells.
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