Comment on the plane

Kailyn 2022-03-21 09:01:13

Comedy-style shots and performances can only be called compact but not exciting, with some flat and straightforward narratives. There is no attempt to pursue the rationality and authenticity of the plot. It seems that everything is deliberately acted like. It seems to be false, which fits the falsehood of the absurd, sad and warm phantom of that long-lost world.
However, in the last 5 minutes, every sentence was struck hard in my heart: this may be because it was so light in the first 100 minutes of the movie, so light that you feel that you can’t catch anything, and at that time, anything hits it. It was a fatal blow, and he hammered hammer after hammer, without mercy, even in such a plain tone, until the last second, he did not let you go, so that you could not breathe. Humanity, love, wealth, and a lost world.
It's been a long time since there hasn't been a movie that has completely defeated me like this. It is not at all to tell you a story, or that the inside of the story is so empty and absurd.

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Extended Reading
  • Talon 2022-03-23 09:01:15

    Perfect. Only Anderson can make such a movie. The language of the lens and the way of performance are as detailed as neurotic. "Yesterday's World" is sweet and sentimental. Too much tribute, feelings, closure, and sense of formality. Many times I watched and thought silently: "Ah, I understand you!" I'm so sad to see.

  • Isac 2022-03-23 09:01:15

    The ending was caught off guard. There will never be resistance to the director's distinctive style of film. End credits: Inspired by Zweig's work, it is a coincidence for me. I just finished the last page of "Yesterday's World" yesterday.

The Grand Budapest Hotel quotes

  • M. Gustave: How does one come by front row aisle seats for a first night at the Opera Toscana with one day's notice? How does one arrange a private viewing of the tapestry collection at the Royal Saxon Gallery? How does one secure a corner table at Chez Dominique on a Thursday?

    [to Ivan, on the telephone]

    M. Gustave: Ivan, darling, it's Gustave, hello!... Well, I was until about five minutes ago. We've taken it upon ourselves to clear out in a hurry, if you see what I mean... Well, through a sewer, as it happens... Exactly! Listen, Ivan, I'm sorry to cut you off, but we're in a bit of a bind. This is an official request. I'm formally calling on the special services of...

    [Title card: THE SOCIETY OF THE CROSSED KEYS]

  • M. Gustave: I'm not angry with Serge; you can't blame someone for their basic lack of moral fiber. He's a frightened little yellow-bellied coward. It's not his fault, is it?

    Zero: I don't know, it depends.

    M. Gustave: Well, you can say that about most anything, "it depends". Of course it depends.

    Zero: Of course it depends, of course it depends.

    M. Gustave: Yes, I suppose you're right; of course it depends. However, that doesn't mean I'm not going to throttle the little swamp rat.