Jean 2022-03-21 09:01:06
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Guy 2022-03-23 09:01:07
How can it be so lonely, even love is so lonely! ! ! !
Kimberly 2022-04-24 07:01:01
The car chase scene in the opening scene consists entirely of the perspective of the car and the subjective perspective of the car. He did not dare to step beyond the space of the vehicle, and gradually integrated the concept of people and cars to fight against the "environment". Sit back in the car, fix it on his face, and drive away; the middle section of the car chase scene is uncharacteristic, emphasizing the positional relationship between the pursuit and the person being pursued, and at the same time simplifying the movements; until the car that collided with the black boss, the movements were also excluded. The simplest, it is like a master's trick to decide the winner in one move. The low-speed actions and music seem to accumulate energy, and they can always find the right time to burst out, so every line is selected, and it will be so important and full of power. It is like the revival of martial arts films in a modern city (a heterogeneous LA).
[first lines]
Driver: [on phone] There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
[pause]
Driver: Good. And you won't be able to reach me on this phone again.
Shannon: [to Driver] A lot of guys mess around with married women, but you're the only one I know who robs a joint just to pay back the husband. Crazy.
