If Neyman is not the protagonist, then it must be a character that makes the audience feel refreshed after being killed by the protagonist. .
Neyman framed his competitors in order to be superior (not sure, the overall possibility is great), he can't help smiling when he sees others fail, abandons his girlfriend like a mess, insults his opponents face to face, only cares about his own mood, is self-centered, and does not see others Well, this kind of person acts as the protagonist and burns his life to amplify his moves at the end. In contrast, the punctual, hardworking, and friendly Connelly ended up in obscurity.
In the last scene when everyone climaxed, I was heartbroken. As Fletcher said, JVC performance is critical to everyone's career in the band. While Fletcher retaliated against Neyman, it also harmed everyone else. When Neyman ran back to burst into the small universe, he also cared completely about himself and didn't care about others at all.
A person can only have a goal in his heart, and persevere in pursuit of it, but this is not a reason to hurt other people. If two scumbags persist and work hard, and finally put out their names, they will shine again. After all, they will not change the fact that they are rubbish scumbags. .
If only this kind of person can succeed, I will choose to become a loser without hesitation.
Let me write the ending: in a dark alley, a towering garbage dump, a puddle of foul sewage on the ground, a lonely Neyman, dirty and disheveled, holding two chopsticks, weakly knocking on the trash can, and slowly dying . The camera cut to Fletcher and went back to school, sitting in a chair with Neyman's solo, and sadly said to the students: This is my Buddy Rich. . . Then a drop of hypocritical tears fell, bounced on the floor, bloomed, and the play ended
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