Doing so is also a kind of risky. Not only will you lose a lot of individual picture sense, the vision around the characters is too dependent on the actors, and the most important thing is that if you are not careful, you will fall into the design sense. However, as the movie progresses, the previous worries have apparently disappeared through the sense of unity in one go. I have to say that both the director and the actors have dedicated a sense of experience beyond imagination, which is not at the same level as the imagination presented by those heroes and special effects films. From this aspect, the film ridicules a certain industry at a high level. Pipeline system.
But overall it is still a product of that system, surpassing most pipeline movies, and it is definitely worth cheering for audiences who are not satisfied with regular movies. Although 2014 was a young year in Hollywood, the 87th Oscar was also barren, but it gave the author the opportunity to direct, whether it was Alejandro González Iñárritu's "Birdman", Richard Linklater's "Boyhood" and even the worst of Wes Anderson's "Budapest Hotel" won the best film, which is a triumph of artistry. After the new century, the old-fashioned Oscar has completely become a public relations company like the Penguins. Especially the best films in recent years are almost all jokes, except for Oscars.
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