Although, the director abandoned the serialization and complexity of multiple narratives, and began to experiment with the complexity of the spatial structure. (Although, the last long shot walking from the back door of the theater to Times Square seems to be wrong in terms of space.) From the stage to the backstage, to the dressing room, the transition from the theater to the daily life is just completed, quite freely.
I thought it would be a film that completely locks the filming in the theater, using the repressive stage and the tangible space to express the boundless space in the birdman's heart. Even when the daughter is sitting on the terrace and chatting, the outdoor space is obscured by high-rise buildings. Therefore, when he enters Times Square unintentionally in embarrassment, although the visual space is still suppressed, the entrance of the rich environmental sound will suddenly make the audience have the pleasure of breathing smoothly.
This is not a new story, and the lecture was quite interesting. After all, the person who can tease himself is the true temperament person.
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