The story is basically in the UK, Trafalgar Square, Big ben, Heathrow Airport, White Cliffs... (except for the enemy’s lair under the Louvre), watching Tom go running every day There is a feeling of crossing on the Waterloo Bridge that I arrived at. Perhaps only Londoner can experience the wonder!
===The following suspected spoilers, be careful to enter === The
atmosphere in the first half of the movie is relatively relaxed, Brother Tom is so funny, and there are bursts of laughter in the audience. After Rita went to death again in the hut despite the advice, the film gradually became heavy but also exciting. In the end, Tang was transfused and lost the ability to reincarnate. Life and death are here!
The theme of the movie is relatively new (although it is a little bit creative similar to the source code, but it is still refreshing), and it is relatively easy to understand without making any fuss. Unlike other similar themes, it is confusing, and at the same time it can be self-evident (like my kind of science and logic control). I didn't see any flaws), it is already rare to be able to do this.
The whole is still a consistent production of large scenes, but it is not a personal heroism from beginning to end. It has made a big breakthrough. At first, Brother Tang was just a timid and timid little figure who had never been on the battlefield, but the unexpected ability made him forced to take on the task of saving the world. Or maybe the times have created a hero, and the hero has more flesh and blood. I have to compliment Brother Tang's acting skills, every time he resurrects his performance is very different! The expression in the eyes is very precise! The rhythm of the film is tight, violent, relaxed, and tender, but it is good---maybe because there is no legendary XX, only the heroine is determined, passionate, and rough with regret--I want to get to know you.
Back to peace, so no one knows what happened, except him. Standing in front of her again, I don't know how to let her know him?
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