I just came here to complain

Savannah 2022-03-19 09:01:02

The director and Fasha collaborated with Shame, and Fasha won the actor of the European Film Festival with that film. In this movie, Fasha plays a vulgar, superstitious and contradictory slave owner, unshaven, unshaven, likes his female slave, and has a jealous and hypocritical wife. In the whole movie, his role is like being seizure. According to many people's comments on Xiao Li, he used too much force. This is the first slot, because I like Fasha, so I hate this movie.
The black male protagonist used his poor acting skills from start to finish-staring and screaming, to interpret a black man who has turned from a free man into a slave. He is powerless to resist. He hopes to be appreciated by his master to gain a free body. He has the spirit of resistance of free people in his bones, and he always maintains a heart of compassion. This is his shining point. He believes in others and has unrealistic illusions about slave owners. This is his weakness. All this is pitiful for the male owner. Underwhelmed by his acting skills. It's not that he didn't perform these points, but that all the characters under his face were facialized. From the beginning to the end, it seemed that his face was conveying a panic, nothing else.
BC, in fact, except for Sherlock, this is the first time I have seen his other works (not counting stupid dragons). It is difficult to remove him from Shenxia, ​​and his performance did not let me take him from Shenxia. Pick it out. His character setting has no shining points, but good people are not easy to shine. His role is not irreplaceable, that is, it can be played by any other person. This can be said to be a failure of the role.
Actress, it can be said that among all the actors, the one who shines the most is this newcomer actor. Many old actors in the play want to show their acting skills, so the plot of the play becomes the accessories of the characters, and the characters become the accessories of the actors. And this female partner, maybe because she is a new actor, her interpretation is the maid itself, without too much personal things, it looks comfortable.

Finally, let me talk about the settings of this script. It can be seen that the director's personal mark is still very deep, and the screen and plot are all okay, but the script itself is a weakness. This script actually doesn’t have much storytelling, so it needs the performance of the actors, and it may be that there are more famous actors, and the director who should control the whole rhythm has no control effect, so the actors play a little harder, so that the plot and everything are a little clouded. Up.

However, the songs in this movie are really good, I like them very much. This movie is not worth watching. As for the Oscar, I really don’t want to say anything.

PS: Forget the important thing about complaining, that is, the presentation of violent scenes in this film makes me want to give it a star directly. I think many violent scenes in this movie are unnecessary, and the real suffering is not physical, but spiritual. So this is the most important reason why I dislike this movie so much.

View more about 12 Years a Slave reviews

Extended Reading

12 Years a Slave quotes

  • Edwin Epps: If something rubs you wrongly, I offer you the opportunity to speak on it.

    Bass: [exhales] Well, you ask plainly, so I will tell you plainly. What amused me just then was your concern for my wellbeing in this heat when, quite frankly, the condition of your laborers...

    Edwin Epps: The condition of my laborers?

    Bass: It is horrid.

    Edwin Epps: The hell?

    [chuckles]

    Bass: It's all wrong. All wrong, Mr. Epps.

    Edwin Epps: They ain't hired help. They're my property.

    Bass: You say that with pride.

    Edwin Epps: I say it as fact.

    Bass: If this conversation concerns what is factual and what is not, then it must be said that there is no justice nor righteousness in their slavery. But you do open up an interesting question. What right have you to your niggers, when you come down to the point?

    Edwin Epps: What right?

    Bass: Mmm

    Edwin Epps: I bought 'em. I paid for 'em.

    Bass: Well, of course you did, and the law says you have the right to hold a nigger. But begging the law's pardon, it lies. Suppose they pass a law taking away your liberty, making you a slave. Suppose.

    Edwin Epps: That ain't a supposable case.

    Bass: Laws change, Epps. Universal truths are constant. It is a fact, a plain and simple fact, that what is true and right is true and right for all. White and black alike.

    Edwin Epps: You comparing me to a nigger, Bass?

    Bass: I'm only asking, in the eyes of God, what is the difference?

    Edwin Epps: You might as well ask what the difference is between a white man and a baboon.

    [chuckles]

    Edwin Epps: I seen one of them critters in Orleans. Know just as much as any nigger I got.

    Bass: Listen, Epps, these niggers are human beings. If they are allowed to climb no higher than brute animals, you and men like you will have to answer for it. There is an ill, Mr. Epps. A fearful ill resting upon this nation. And there will be a day of reckoning yet.

  • Ford: What is the price for the ones Platt and Eliza?

    Freeman: A thousand for Platt; he is a nigger of talent. Seven hundred for Eliza. My fairest price.

    Ford: You will accept a note?

    Freeman: Always from you, Mr. Ford.