Then in the second brush, because I don't have to bother to sort out the plot, I can pay more attention to some detailed scenes and narrative methods, but it makes me feel that the movie is better than the first brush. For example, the costumes of the fairy king have their own gorgeous costumes. Tao Ruier's armor under the coat is also very detailed. The funny gorgeous costumes and cloaks of the dwarf gang leaving Long Lake City are silly. The handsome dwarf has been stripped by the elves. She has always been wearing a thin cloth to show her frail demeanor.
The most interesting scene is the city of Long Lake, which looks like burnt Venice. The bed and portrait in the governor's room make people think that Venice in the 15th and 6th centuries looked like this on a cloudy day. Of course, there are dwarf cities and elven cities. Among them, dwarf cities are gradually presented by fighting the dragon. Its complex and exquisite machinery and grand dungeons are more impressive than elven cities. In contrast, Dol Godor is a mess of clumps of ruins, and the destruction and destruction are evident.
Then refresh the plot. When I watched the second time, I can see the context: at first, I reviewed the first connection between Kirdolph and Thorin before the first part, and then continued to talk about the escape of the dwarf gang. First, they went to the skinchanger Belon’s house. As a guest, I borrowed other people’s ponies to go to the fairy king’s site, dried tofu at the door and abandoned them, so the soldiers were divided into two groups. The IQ dwarves brought the babysitters into the forest, and Kedolf went to quit. Lingfen is dating friends. In the forest, the dwarves were caught by spiders. Shopkeepers rescued them as usual, but they were caught by Little Lailai before they were relieved. So, did you have Tang monk meat, Thorin? The dwarves saw the goods. Don't you want to be called Big Brother Biren? By the way, the scene where the dwarf unloaded the spider was too much like the Four Immortals of Taogu. . . .
During this period, there was also a mid-drama drama called "Qi Xiaoli Confidante's Fateless Bento, Tao Ruier Three Enters and Three Outs to Save Lovers", the first time was against Pansi Daxian in Pansi Cave, and the second time It was the beer barrel that crossed the Tianhe River, and the third time was the Bodhisattva showing his magical hand to detoxify. In all fairness, they can be regarded as handsome men and beautiful women. As long as they don’t stand together and shoot the whole body (it immediately becomes "The Witch’s Condition"), Kiki's close-ups are so handsome to nosebleeds, except for Tao Ruier's change of Guanyin and her expression is so hideous that I Think Kiki fainted with fright. But this kind of plot and the big jealousy of Xiao Lailai are still more suitable for fans. He is an excellent fan, but for the original work, it's obviously passed.
Next, the plot is that the dwarves are caught by the fairy king, but the big brother spared no effort to rescue them. They arrived at the shore in a wooden barrel difficult and funny, and met the marksman Bud. I think Bard is the second most brilliant character. The second part has many characters, but Bard was interpreted as flesh and blood, tough and witty by Luke Evans. It is a rare appearance and deep personality in the second part. There are also in-depth characters (other characters that were performed in the first part are mostly rushed through in the second part). His son Bain is also behind the gate, and is his father's right-hand man. Grandpa Bahrain played his business qualities and persuaded Bud to take them across the lake, and then went through the smelly dead fish gate and toilet gate to Bud's house. Thorin used his politician's talents at the moment of the siege, used the promise of Gushan's treasure to win the support of Long Lake City, and then dressed like a fool and set off with everyone to Gushan. Kiki was left as a sick number, and Thorin finally touched his head and smiled a little, making me cute. Fifi, as Kiki's Nissan, also obliged to stay to take care of him, so the dwarves also split up.
In other words, the plot is divided into two from one thread, and then into three, excluding the orc’s "Wow, ah, card, wood!" plot expressed in black language. In order to express the simultaneity, each plot is relatively short, and then cut to and fro, which makes people feel looser, but in fact, when watching the second time, the plot is more clear. The final climax was on three lines at the same time. The dry tofu was completely exploded by Sauron. The triangle relationship between Kiki and Guanyin sister and Xiao Lailai ended with Xiao Lailai chasing the orc and his son alone, and the shoppers finally Meeting his destiny in his previous life-Juan Fu.
After the first brush, I stated in the film review that Thorin’s character was not further developed in the film, but after the second brush, it has changed. Thorin’s turning point was described by Bahrain after Long awakened. He expressed concern about Thorin and questioned that he would rather give up shopping for money, but Thorin finally found out that he had a look at the shoppers. (Although it's more like an overseer). After showing his king talent in Long Lake City, he showed it again in the fight against Brother Si Mao. Although he seems to have been ordering his subordinates and acting in command, he organized all the plans. The dwarves originally wanted to retreat, but on the way they encountered the corpses of the tribesmen killed by the dragon flame in the past, so Thorin determined to kill Brother Si Mao, which is also a description of the character development of the dwarf king. (Reminds me of the Yasha in the holy biography, returning to the original tribe to face the corpse mountain of the tribe who was killed by Di Shitian!) The last golden statue of a dwarf for revenge was really too rich and the dragon was shocked. . . So in fact, PJ has a good portrayal of Thorin, but why is it not as good as he rushed to the white orc in the first movie and was instantly killed in a flash, hey. . .
I personally think that the failure of the second part lies in the inadequate ending. The dragon finally flew to Long Lake City and said the mentally retarded line "I am fire, I am death" and it ended. You are fire, you are death, you Still the only myth. . . The rhythm is relatively sudden. In fact, if you deal with it carefully at the end, the problem of the plot is not so bad.
In the end, I felt that the fairy king was really too young, and the expression on his face was angrily after being rejected by Suo Xiaolin. . . Ouch. . . Little Lailai's action scenes are also beautiful, with two orcs with one arrow, two dwarves on one foot and then turning into a one-leg spinning, orcs skateboarding, etc., and the fateful encounter of little Lailai and Jimley at the time. He was disdainful at that time. Raised eyebrows, hehe, can he think that he will be eaten to death by the son of the dwarf in front of him in the future.
In the end, maybe my contribution to the second box office can only be done here, and I look forward to the extended version. The Minischweinehaxe of Spar under the Salzburg railway station is delicious. I haven't eaten such a delicious chunk of meat for a long time. I am really moved. If it is not cold, I will buy two more!
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