I don’t think it’s too long because the real Hunger Games part is only half of it, because the Hunger Games itself is not actually the focus of the whole work-the focus should be the brewing process of the revolution, the inner struggle of Katniss, and the victory. The player’s tour, the pre-game accumulation, and the game is only part of the whole brewing. After all, don’t all of us go to the theater to eat popcorn and appreciate humans slaughtering each other?
The Hunger Games 2: The murder caused by a handful of poisonous berries, instead of calling it a fighting and killing movie, it is better to regard it as a sadomasochistic triangle-in a complex, a pose, a melody, a berry, and a wedding dress are all possible It is under the political game of the difference between victory and death. Regarding the plot, I think the movie is very loyal to the original, but the part that it surpasses the original is also the part that the novel cannot express, and it is also very exciting—especially the clothing-centric picture style. At the same time—maybe the reason why I read the original book too quickly—I think the role of the movie is much more plump than the novel. Perhaps the first-person perspective of the novel made me overlook too many supporting roles, or perhaps the rich visual elements in the movie made up for the lack of language. After watching the movie, one of my obvious feelings is: In addition to the heroine, there is something inside. Almost every character deserves to be loved.
Pita, a heroine who can't pay for her death a hundred times; Finnick, a narcissistic playboy, but infatuated with a mad girl-Annie's person; Black secret song, a He seems to be drunk at any time, but he is not the most awake person all the time; Joanna, a cold-blooded person but only because there is no one in his heart is cute; Maggs, a willing person to replace Annie, always smiling, and in the end not A person who has dragged his teammates to commit suicide without hesitation; Effie, a person who wears the most gorgeous makeup but has witnessed the death of previous players, and finally born a new winner, who wants to send them to the execution ground with his own hands again, a very lonely person. People...
and Katniss' mother and her sister, who have very few scenes but are the finishing touches.
This inadvertent and extremely sophisticated shaping of supporting roles has always made me irresistible. It reminds me of "Harry Potter" where many stars gather to play supporting roles. While on the train, Katniss, who was awakened by a nightmare, let Pita stay by her side. Pita's "ALWAYS" almost made me unable to hold it back.
I think the most fascinating aspect of this kind of plot against the oppression of power is the infiltration of the righteous side into the high-level government-and directly hit the core of power, with a foolproof plan to complete the blow of destruction. At first I saw that the director deleted Proust (the game designer, whose name I can’t remember). At the prom, I felt sorry for Katniss’s suggestion about mockingbirds, but the director had foreshadowed his identity. The processing is more ingenious and detailed: After the players discovered the secret about the clock, Prousto decided to rotate the playing field, and the moment Katniss was thrown into the water, he ordered a stop. The close-up of the monitor screen-showing Katniss falling into the water-in less than half a second told me that this must have been intentional by the director.
And the film’s treatment of Proust is just higher than the original: the few conversations between Proust and President Snow in the film outline to us the subtleties between a wise and old counselor and a president. Relationship, and describes how President Snow was drawn into the trap step by step. (Compared with that of the game designer Klin in the first part, the combat effectiveness is instantly compared...)
I can’t help but start to imagine that if it were the biggest mouthpiece of the right-the show host (forget the name again, by Stan Played by Leigh Tucci) It was also the Resistance in the end, that should be so fun. (BTW, I haven't watched the third part yet.)
Finally, after the black screen, the animation of Mockingbird's wings spreading out to match the horn of war developed from the secret signal is great. This is the only moment when the two major symbols in the work are presented at the same time, and although there are very few shots describing the rebellion in the whole article, at this moment we still see the flames of gas behind the darkness, which makes people look forward to it.
But I had to complain about the front close-up of Katniss before, and the change in his eyes was too abrupt. I think a more perfect solution is to
switch to Katniss's face, she closed her eyes, she shed a tear in pain, and then opened her eyes decisively-
mocking bird's recovery.
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