"What makes you think you can continue to trust me?"
"I don't trust you. You should know that in the past battles between you and me, I always hold a glimmer of hope, and my brother is still hidden in that body. Where, and now that hope no longer exists, you betray me, I will kill you." The weird and sad'shadow of loki' music reverberates like a cold spring of secluded forest, and the two brothers are separated by a glass wall. Exchanging cruel and chilling conversations. Hundreds of years of brotherhood have been wiped out by the feuds of life and death in the past two years. Outside the dungeon are scattered tiles and broken pillars. The gentle mother who maintained their last bit of family love has been wiped out. The father of the gods is tired and old. With heavy casualties and the possibility of being crushed by the soldiers again at any time, Thor decided to gamble again in this kind of calm that the dark clouds were crushing the city to destroy the city, pressing all his trust, but could not see the sacrifice that was about to tear him again.
--This is my favorite section, depressed, cold, desperate, and full of tension. If you like it too--I suggest that you don’t go to Cinema 4 and just refresh the trailer several times. The segment that flows out before the movie is actually much longer than the one shown in the movie, and is similar to the trailer. Compared with that, the movie is completely distilled from the original flavor of the soup into a piece of instant noodles.
I went to the Thor 2 Midnight Show last night. After every thor's body shot and Loki's expression language of the nympho, I still wanted to say, really, marvel, I have taken off my pants for 2 years, you show me this? --Don’t get me wrong, I still love this film very much, because obsessiveness doesn’t need a reason. I still go to 2 brushes to buy blue light and take out every 1 gif, but I can’t give it a score of 6.5 or more. 1.5 still points to loki's nympho. If 30% of the shots in the trailer did not appear in the movie, you know there is something wrong with this movie. You would say,'Don't you just think loki is not long enough! "--No, I think Thor is not long enough, and some time is not used to dig deeper into this wonderful character.
The biggest shortcoming of Thor 2 in my eyes is that it is too short. The 117-minute film is nearly 10 minutes shorter than the 130-point Iron Man 3, and many of them are wasted in the slow-paced first half like a Volga tracker pulling a boat. (I can’t think of a reason why it must be kept under 120 minutes, except for marvel to arrange two more screenings?) If short stories should be as exciting as assassinations, and long stories should be as rigorous as a canonical punishment, then the movie, at least the first hour is like In a failed robbery field, the spectators were exposed to the scorching sun for a long time and neither waited until the head fell to the ground nor saw the knight who came to save people. Before the movie was on track--before the real enemy appeared in front of Thor, we wasted a long time watching a group of people wandering around the dilapidated factory, throwing cans into the black hole. Unfortunately, many clues in the movie also fell into the black hole together- -They were raised but have nothing to follow. Don't get me wrong, I really like Darcy and her spitting noises, but the three samurai scenes and line shots are not as long as her little intern, which is a bit unreasonable. For another example, we saw Dr. Selvig running in Stonehenge without pants, and the same shot reappeared on TV after a second--really? Is there a need for this repetition? For the first time, it is entirely possible to scream at Dr. Selvig (showing upper body only) from a tourist's point of view, and to bury suspense to make the following TV news more interesting and save precious 5 minutes. What was sacrificed was the argument between Frigga and Thor after visiting Loki. The latter insisted that Loki had no hope. The former still had compassion and confidence in his son and convinced the latter. This passage embodies frigga’s equal love to his sons, strengthens family ties, echoes the “mother trusts you” behind, explains Thor’s motives for releasing loki, and makes Frigga’s death even more weighty and moving--but so good. Part of the plot was given to the flesh-colored mosaic of the doctor in vain? I don’t necessarily want to watch Fasha’s Boom or Mosaic twice, not to mention it has nothing to do with the plot!
Another character who was hit hard by Scissorhands is malekith. This unfortunate villain has all his motivations. He destroys the world and is condensed into "Oh, because he likes it." This kind of pediatric reason-really? We will ask, uncle What are you going to do after turning the universe back into the darkness? Play with your teletubbies in the dark, touch two, touch hide-and-seek? Without light and function, you plan to be full? Destroying the world will always require more reasons than ruling the world. , The three villains of the Batman series all came for destruction, Nolan also bothered to give them reasons, and the most unreasonable Joker used the perspective of Grandpa Afu to point out the creepy "some people love it." Sit and watch the madman image of the burning world --- and malekith is not a madman but a leader who makes his subordinates awe and willingly sacrifice. There is no reason to have no motivation. He has a more plump design in the original setting --- Dark Elf Existing before the Big Bang, they were originally able to survive in the dark. After the Big Bang, more life appeared to squeeze their living space, and the air in the dark elves world became a poisonous gas that they could not breathe for a long time. (So they must wear filter masks) During the battle with bor, Bor originally proposed to surrender malekith, and the arrogant latter was unwilling to share the universe with other lives, which caused the jade and stone of the final battle to be burned, and his wife and children died tragically. , Malekith came back for revenge. He hated the Odin family and wanted them to kill the family. In the original script, he held Frigga as a hostage. He said to Thor (or Odin? Don’t remember) and said, “I’ll give you a me. The choices you have ever faced, your family? Or your world? You can only choose to save one. "Plus in the previous trailer, "Ask yourself, how far are you willing to sacrifice for your beliefs?" "At once, his arrogance, dignity, cruel and cold-blooded image can be highlighted, and the opposition between kingship and humanity can be highlighted, so that everyone can understand more about Thor's choice of abandoning the throne. Now this paper man is not as plump as Dorcy's stupid little intern. I like the small and cute side dishes, but the prerequisite for me to appreciate it is that the main dish must be cooked-we never think that travelers who easily cross a 1-inch wide creek are heroes, but climbers who climb the rock and sweat blood and sweat are only heroes. Let us be in awe. The villain is the Himalayas of heroes, challenging the limits of heroes---weakening the villains and the heroes as well.
It’s no wonder that film critics love loki, he got on Rotten Tomatoes (I finally banned more than 100 comments after watching midnight yesterday) and praised him for his brilliance in his short appearance. The screenwriter really loves him. It is him who jumps and sells cute like a little boy, and it is him who is annoying, he plays the captain of the United States. "Justice is flowing in my veins!" "When the audience laughed, it was him who was in pain, regret, anxiety, guilty conscience, despair, sorrow --- joy, laughter and swearing and the transformation was very fast and smooth, and when he learned that his brother had given up his heart to him, he was pale The expressionless freeze frame, the slowly growing pupils and the speechless pain created the most depressing ebb in the audience, and whether he chooses to confess to avenge his mother, or succumb to his distorted anger and turn to betrayal is also the whole film The biggest suspense-----the quiet sentence when he died, "I am not for him." It can make us empathize-and on the contrary, why doesn't the movie give so much room for Thor?
In this film, Thor is actually closer to the silent mountain-like image in the comics. However, the problem is that mature silence and forbearance may also mean dullness-this sex will definitely be interesting in Women's Federation 2 against the iron man's broken mouth, but in your own movies? Without Loki's active contrast, it was a bit unbearable-most importantly, we didn't see him collapse. Being strong makes us admire, and fragility makes us sprouting love --- Loki hit the bottom in this piece, we can see his bloody wounds and cracked bones, he tried to wear a fragile mask that concealed his embarrassment But vulnerable. We forget that Thor also lost his mother. The lover faces death threats and only has conflicts with his father. The brother who used to be with him to comfort him is no longer trustworthy---we are all waiting for the moment when his huge mountain falls, let us Seeing the human side of the golden prince---but when frigga stopped breathing in a pool of blood, we only saw him lowering his head silently, and loki died so quickly that no thor even held his body silently in the sandstorm The freeze frame allows us to experience thor’s panic and sorrow. Originally there was a very good opportunity---brothers' quarrel on the spaceship, Thor finally didn't have to pretend to be strong in front of his lover's father. The two angry brothers could only release their collapsed emotions by biting each other's bloody wounds. However, this paragraph was cut very short, and there is no heart-to-heart as Chris talked about ---'Thor can finally question his brother face to face, what do you want? Well, I may also be responsible for your depravity in the past, but it’s time for you to take a good look at your mistakes" and also deleted the most important line of loki "If you continue to trust me, you are the one I always believe in my mind." Fool, believe my anger. "We can't even see one of his heads turning back---At this time, a silence with painful remarks, a bowed head in pain, and even a close-up of a long enough frown on Thor (he was most upset at being betrayed by Loki." The close-up is the one before being thrown into the air by my brother in the Women’s Federation, or the best and most sadistic) ---- It can give us a first-hand experience of his suffering, but no. Because he didn’t have anything in the opening 3 minutes The vacuum of reason is more important than his thoughts? I love Hammer’s perfect abdominal muscles-don’t get me wrong, I just kneel and lick this, but I want to see his deep, wide and delicate inner world, Director!!
Then we are going to talk about the heroine---I actually don't want to say more, the Rotten Tomatoes movie review is much more harsh and harsh than all the comments I can think of, and there is no need to worry about it, "It's all in the black heroine!" "For the crime, I can say objectively as much as possible. If Xiao Chili is a smart, strong, strong woman who is gentle and considerate and a good internal helper, the black widow is a beauty who bears a bloody past and is reborn as a beauty with equal emphasis on intelligence and strength, and sif is a woman who values responsibility and silently loves Thor. The man's words---Thor’s heroine is an angry bird, ah no, angry little Jane. We only saw her angry at Darcy, slapped her because Thor hadn’t contacted her, and slapped Odin, “Who do you think you are? "For New York to fight for Loki who gave up his life twice to save her later --- but the image of Thor's soul harbor that should correspond to this is not reflected in the script. The biggest problem with her and Thor's love is that there is no ups and downs. Most of the small peppers in the triathlon are not with tony, and some are still quarreling in the first half-we think she and tony are in love, because of her anxiety and anxiety because of the shock when tony once thought that she had lost her. Pain, even their quarrels are running-in, and the shot of Pepper touching Tony's helmet affectionately is impressive. And the most ups and downs and climax in Thor is brotherhood. The love scene is not as natural as the young love between Little Spider and Gwen two high school students. For example, at the funeral of Frigga, Jane could have been able to quietly hold the depression. Thor's hand gave a little comfort, but no. why? We only saw Thor's sorrow of the destruction of the family to comfort her, why not give her the space for Thor's spiritual support?
Why does Jane's image feel thin? Because the plot did not arrange her interaction with any asgard people except Thor! The strongest enemy of her love with Thor is not Odin, it is not the gap between the female Diaosi and the second generation of emperor but the time. His lifespan can be the same as the sun and the moon, and she is a mayfly who lives and dies. When she grows old, Thor will still be a young man with a lot of British capital no matter in mind or body. Thor realized the cruelty of this and argued with Loki. Loki projected his own acrimony and pain and said,'You can never be ready for the lost moment. "The sad psychology of'If you can't get it, it's better to pretend you don't need it.' And Thor insists that he won't give up --- But for this serious problem, Jane never seems to have thought about it? In the original trailer, "We come from two In a completely different world, maybe they were separated for a reason. The doubts were also cut. Originally, coexistence with Frigga was the best opportunity. She could express her fears and distress, and Frigga treated agard with gentleness. The pretentious ridicule of superiority resolves their distance and untie her knot-but the two exchanged so few lines. Although sif is jealous of her, he still saves her for Thor, and Jane has the opportunity to beat loki She slapped her but never thanked her (a word of thank you can create her open-mindedness that is not entangled in the love triangle) and then Loki pushed her away from the black hole and almost paid the price of her life. We also didn’t see the two of them except that slap. Any interaction to show Jane’s change of mood for this adventure. Screenwriter, she is an Oscar queen, how do you use her as a rescued vase? At least we could use her as a window to reflect the wonders of asgard I marveled at the frustration that was incompatible with her, but this part was also chopped off, the window was closed, and the generation of substitution was even more difficult. We only followed her to visit the golden version of Disney. Asgard’s deaths and injuries were more like a broken aquarium and a group of fish and shrimps. She watched Frigga’s funeral and watched a fireworks display---the director stunned her with no sense in her hair. Just like the close-up shots of Feiwu in the Salon advertising version, she was cut off, giving her lines and situations that better reflect her personality! In the part that saves the world with science and technology, most of the glory belongs to the doctor who does not wear pants. His instrument, his whims, the heroine manipulated the machine, and the climax of the two people's feelings---the spaceship fell, she pounced The part that was handled too hastily in Thor, this is the highlight of the relationship between the two! This is the place where slow motion should be used to create a sense of tragedy. As long as it is arranged properly, it can be sensational several times---but we haven't understood that the spaceship is gone? The camera didn't even explain how the doctor rushed to operate the machine and saved the lives of the two of them-what a mess? ! ! Chopping the previous blind date lunch for 1 minute can be used to save the urgency here! I don't think this is entirely the responsibility of Natalie Portman, but the screenwriter is really careless. (If you treat me as a black hostess, it’s better to read the film reviews of the wrap. It’s really unsparing. I hope that improvements can be seen in 3 to allow Natalie to release her talents. Of course, if you think so. Very good, the hostess is perfect, I can understand)
When it comes to the final battle, the director understands that no matter how much he can do it, he will not be able to achieve the 30-minute excitement of the New York War-and there is no capital to burn the extreme length of the lens, so he took the "fun" space conversion route. , Let everyone laugh with the bad boss and hero. But this also has a fatal flaw-we don't feel threatened at all. In the Women’s Federation, some heroes are suppressed by powerful enemies, and the nuclear bomb is on the string. The heroes have the intention to kill the enemy and are powerless --- the audience feels the tension of'maybe it is really not possible this time', and Thor 2? All of us were watching cartoons hahaha. Teletubbies were chasing young couples. Interns could lift the car and hit three times. The subway worked as usual. Damn, this level of riots gave me 300 football hooligans. I can make a bigger scene! The humor in this drama is great, but it’s too controversial with the normal plot. It feels like the director and crew treat us as 3-year-old children. When we were about to cry for the sad plot and the big scene, we quickly threw a candy Come on, come and have a laugh! "--- I like watching Shuabao, but I have to wait until the audience gets a shocking experience.
By the way, there is a shot where the edge of the green screen on the building is clearly visible---How rushed was the later stage of the film?
Tang Shang has already started to vote for a longer director’s cut version. I also voted. I want to see it for 2 and a half hours. It can really give each character room to play, the plot is more coherent, and we can experience it. The impact of the death of the character and the empathy version with the male and female protagonist---Really, 80% of the shooting part of the production special did not enter the movie, not to mention the lines and plot in the trailer!! If Marvel wanted If you continue to change the route, you will not be able to sacrifice the relaxation of the plot for arranging multiple games.
I still have a lot to say, such as how much of Loki’s suspended animation is true? Why is Odin’s image so different from 1? Where is the conflict within the royal family? Is Thor's decision to give up the throne in the end natural? Can people accept it? But those should wait for tomorrow. I will still go to the 2nd brush, and I will put down the previous expectations, and only concentrate on brushing some The details that I missed---I am still a loyal audience of marvel and ready to put up my wallet at any time---I just hope they can make me more willing.
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