1. There is a narrative that the old Japanese man broke the company for research. His son still supports the old man to continue treatment and research in order to do his filial piety. Then the old man inherited the family to his granddaughter. The son became angry and wanted to kill his daughter. So is he really filial? The company is about to go bankrupt. Why does he hate his daughter so much because her daughter wants to inherit property? The scriptwriting logic of "get everything for money" is too simple and rude. . .
2. This granddaughter is also so strange, she obviously wants to inherit this family property, otherwise it's okay to give the family property to his dad? Even if she listened to grandpa for the sake of grandpa, why did grandpa want to live forever in the end, why did she kill grandpa? And why is she so rude to first love? Just because she loves Wolverine? Or is it because she is doing justice? Therefore, the scriptwriting logic of "anything can be done for love" is too simple and rude. . .
Did I miss something? Otherwise, why can't I figure out the logic of these two screenwriters so much. . .
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