[Reproduced] Li Jie: Impressions of Quentin's new film "Jiang Ge"

Westley 2022-03-22 09:01:07

"Jiang Ge" is a successful commercial film supported by several big-name actors. If the film was shot fifty years ago, it would be a challenging classic. However, in the era when black people became American presidents, not to mention kitsch is at least conforming to the trend and being politically correct. The plot is fair (this may be the reason why Quentin won the Screenwriting Award), and there is nothing new in aesthetics. The ending is too Hollywood. Also derived from Western films, Kurosawa Akira's "Seven Samurai" in the 1950s was ingenious and took it to the next level. The 2012 "Jing Ge" was just a rear-end copy. If you want to say good-looking, it may not be as good as "The Quick and the Dead", which is also played by Leonardo.

Quentin deliberately used German cultural elements, such as Nibelungen ring, Beethoven music, etc., in order to make himself as deep as possible in "Ginger". Hamlet talked about philosophy with his skull, while Leonardo played with his skull to perform a racial discrimination that even American elementary school students know to despise. Culturally, Quentin is too far away from the essence of Germany and British tradition. Even the violent aesthetics, the British "A Clockwork Orange" is enough to overshadow Quentin's efforts.

Myths are the psychological prototypes of a nation, and mythological characters are the true shapes of a nation. Quentin's ignorance lies in the misconception that comparing a black slave girl to a princess in Germanic mythology can both please the black Americans and deconstruct the central discourse of European culture. As everyone knows, the black Americans are not used, and the Germans will not take it for granted. This is like comparing American cowboys to Xing Tian, ​​which makes Americans feel inexplicable and makes Chinese people feel funny. What's more, there is no metaphorical connection between the black slave girl and the German mythical princess.

Quentin's "Jiang Ge" is similar to Stephen Chow's "Kung Fu", both of which are piecemeal imitations. The cruel killing is complemented by Beethoven's "To Alice", reminiscent of the scene of Hobkins in "The Silent Lamb" where he enjoys the piano sonata and kills. The Skeleton Theory is copied from "Hamlet". The revenge of the Jedi counterattack is an overused model in Hollywood movies. Not to mention the many western cowboy elements, almost all of which can be found in countless westerns. That's it, I don't want to say more.

Quentin's films have been enthusiastically praised by many intellectuals in mainland China, which once again proves the semi-literate status of these people in terms of aesthetics. Most left-wing literature, academics, and art in Europe and the United States can always find a market in the mainland. From Sartre in the 1980s to Derrida in the 1990s. It's the same in movies. It used to be Oliver Stone, and now it is Quentin's Jiang Ge, who is fighting all over the world. To say that it is superficial is to exaggerate. It can only be said that it is very entertaining and will not be tired watching playing.

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Extended Reading
  • Lucinda 2022-03-23 09:01:09

    Just watching a very cool film. Talking, plasma, popular music, a little earthy and handsome. Quentin is never good at taking pictures of women. The faster the pace, the better.

  • Rosalinda 2022-03-25 09:01:05

    1. A bloody and black humorous western style blows from the south; 2. Quentin's style is mixed with western style, which is too exciting. The soundtrack, lines, and character performances are all not the Quentin whom I knew early; 3. No matter how serious The theme can be easily and easily reshaped in Quentin's hands, without deliberate preaching, but with your eyes.

Django Unchained quotes

  • Big Daddy: It's against the law for niggers to ride horses in this territory.

    Dr. King Schultz: This is my valet, and my valet doesn't walk...

    Big Daddy: I said, niggers on horses...

    Dr. King Schultz: His name is Django, he's a free man, and he can ride what he pleases!

    Big Daddy: Not on my property, not around my niggers he can't!

    Dr. King Schultz: My good sir, perhaps we got off on the wrong boot. Allow me to unring this bell! My name is Dr.King Schultz, this is my valet, Django, and these are our horses, Fritz, and Tony.

    [Fritz the horse does his bow, making the slave girls giggle]

    Dr. King Schultz: Mr. Bennett, I've been lead to believe you are a gentleman, and a business man. And it is in these capacities that we've ridden from Texas to Tennessee to talk with you now.

    Big Daddy: State your business.

    Dr. King Schultz: I wish to purchase one of your nigger gals!

    Big Daddy: You and your Jimmie rode from Texas to Tennessee, to buy one of my nigger gals, no appointment, no nothin'?

    Dr. King Schultz: Well, I'm afraid so!

    Big Daddy: Well what if I say, I don't like you, or your fancy pants nigger, and I wouldn't sell you a tinkers damn! Now, what'cha gotta say about that?

    Dr. King Schultz: [Django hands his head, Schultz looks at him and looks back up at Big Daddy] Mr. Bennett! If you are the business man I've been led to believe you to be, I have five thousand things I might say that could change your mind.

    Big Daddy: [laughs] Well, c'mon inside and get yourself somethin' cool to drank!

  • Betina: What'cha do for your massa'?

    Django: Didn't you hear him tell ya, I ain't no slave?

    Betina: So, you really free?

    Django: Yeah, I is free.

    Betina: So, you wanna dress like that?