The golden frame of the movie framed the names one by one, layered on top of each other, Nick finally wrote the scattered manuscripts, lifted the pen, and added "THE GREAT" on the cover.
New York is growing rapidly upwards, and every window looks the same. No one knows whether the world in the room is boring or lively, but who cares, know that the whole city is running forward and no one will look back. Look at the people who are being swept forward by the times.
The story always starts at the moment of within and without, and narrator is always such a person within and without. When Nick stood at the window and looked out the window drunkly, he should have known that all the prosperous gifts are ruined and indifferent. People can still live as they always have, and this way, I will stop at the chaotic party and take a look at the sensitive people outside the window. Only then will I always carry all kinds of torture and regret, screaming and suffocating in my heart but no one listens.
I originally expected Gatsby’s feast to be more luxurious and more erosive, but the director seemed to try his best to remind everyone that Gatsby was a poor boy with no taste, so the banquet was like a Disneyland parade, with fireworks rising. When I started, I was in a trance, almost thinking that I would hear the Chinese-English-Cantonese trilingual "Dear tourists, it's time to close the park." Fortunately, the camera pulled up from the ring, and finally saw the familiar old friend Gatsby under the fire light.
Regardless of how Leonardo is said to "support the audience with expressionlessness and frowning", I still stubbornly believe that this should be Gatsby, the clever boy on the sailing boat, and the impoverished officer. Gatsby, it should be Gatsby, the mysterious and incomparably pure white.
As for Daisy, the innocent girl who is not glamorous and has only the corners of her mouth down, I am still willing to reserve the opinion that let her live in the "growth education" of the cold England, smoking, drinking and going to bed will be a better opinion, her harmless beauty, Incomparable and fragile who cannot hold Daisy. Daisy shouldn’t be like this, I'm expecting her to laugh more presumptuously and expecting her to be more vulgar, Daisy should be someone who understands that "being a beautiful fool is the best way to live a girl in this world" , She should be more upright and upright, worry-free and fearless.
As for the other roles, in fact, most of them are similar to my expectations, but there is no complete agreement. And the much criticized Jay-Z didn't take me out of the play very far. He probably understands how ridiculous and fragile New York is. It requires anachronistic music at untimely moments.
Compared to Gatsby's mansion, what surprised me more was the repair shop. The rundown of the repair shop and the big-eyed billboard were exactly the same as what I thought when I was studying, no, even more than my imagination, making me feel that my imagination is so lacking. Those smoke and clanging, the reckless repair shop owner and the vulgar proprietress, I think the story should be ended by this absurdity. All the dullness of the repair shop reminds me of a sentence called "The world has collapsed, not a bang." , But a sigh. "
How I like the episode where Gatsby and Daisy met. The frames after the movie ended continuously played back, making me trapped by this story and trapped in the swamp of emotions. Get away. The picture of Gatsby slipping through the back door and then appearing in the rain made me almost want to close the page or leave the theater. The man who was able to do nothing but fearless turned into a teenage boy, his eyes were green from the opposite bank. , The way he stretched out his hand and didn't dare to touch it made people want to believe in any kind of beauty in the world.
In the movie, he triumphantly showed his castle, he threw clothes at Daisy one by one, he smiled as if he had always been like this, he had never walked through the dark, all this was what Nick said later "I have never seen anyone in the world who is more optimistic than Gatsby", which is also what Nick said "he is the most beautiful person."
He is too pure, he is the reason why God created man.
Fitzgerald is an excellent writer. He let the story stop in the most desperate place, and quickly and mercilessly, he carefully stamped out any spark of hope one by one-there is no hope, no light, we To live is to mess things up again and again, and those who understand this truth but are able to live with them peacefully, God chooses to let them die when they are most desperate.
The only thing that delighted me was that before Gatsby fell, he thought that Daisy was calling the call.
I am being stuck in the story.
I don't know if this story has a happy ending to me.
Let Gatsby and Daisy be together? No, Daisy can't completely deny her past, nor can she give up the $350,000 engagement necklace—who can give it up, and it's impossible for me to change it—not to mention the vulgar ending.
Let Gatsby fly away alone? No, he won't. He built a house on the other side of the pier to collect all the stars passing by, but only to invite Daisy to pass by someone drinking tea in an afternoon. The showgirls in his room have a wide swimming pool behind him. Thousands of rumors and speculations are all with him waiting for that person, he will not go, his life is only with Daisy, or waiting to be with Daisy.
Let Gatsby keep waiting? At the moment Green Light lost its meaning to him, this option had been permanently crossed out by him from the list.
Gatsby did not end well. He is dirty and pure, he is too stubborn, too kind, too sincere, and too sophisticated. He accepted all the despair that fate had thrown at him, and then stubbornly dragged fate to the direction he wanted.
But how can one defeat destiny.
We are struggling to move forward, the small boat is up against the current, constantly being pushed back to the past by the waves.
All people are bad guys. No one can compare to Gatsby.
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