Compared with Judd Apatow's self-pity and self-esteem, and the self-consciousness of growing up into men, Seth MacFarlane's handling of the same subject matter in "Xiong Maji" is easier, or more childish and naive. Therefore, although the movie is full of adult jokes, it is still dressed as a fairy tale. There are two groups of happy children and unfortunate children in the play. It can be seen that the director has grasped the image of a teddy bear from the beginning to the end.
The relationship between the two sexes does not have any emotions of anxiety, control, betrayal, or hatred. Instead, it is full of pure love. This is also the prerequisite for the trio of the protagonist and the protagonist to successfully reconcile, because the three of them in the movie are still in a sense In the world of children, the power of children’s wishes is still very powerful.
Many children's movies will moderately separate the children's world from the adult world. The various adventures and adventures experienced by children are like the innocent power that children have. Adults are either invisible or incompetent and involuntarily intervening. "Xiong Maji" directly brings the miracle of children's wishes come true into the adult world, or childizes the adult world inside. Perhaps it wasn't until the last scene of Ted's death that there was a trace of fear that his childhood was about to end.
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