Actually, American life movies of this kind are very good at making a strong and affectionate film, but this film hates awkwardness. Maybe if I make a film of this level, I will give four stars to encourage it, but I am good at shooting. Hollywood, which has many jewels in front of this kind of film, made this film into this kind of virtue. I originally wanted to play a two-star, but when my heart became dark, I changed it to one-star!
PS: No one seems to have noticed that the little BB who was given to a single mother will eventually grow up. After knowing what he (she) will think of the underage parents who did not want to raise him back then... the underage child Couples will eventually grow up to adulthood. This film tells us: As long as you and I love each other, don’t you intervene and welcome the consequences of October?
Speaking of the little BB, I will talk about a contrived detail. When the sterile female host picked up the BB in the nursery, the director asked Juno’s stepmother, Brenda, to appear at the door of the room at the right time—that is, Brenda. Speak out the lines that the screenwriter has been proud of for a long time: You look like an inexperienced new mother.
In addition, Brenda worked as a B overtime in Juneau, and clashed with the staff and talked about a lot of incomprehensible, cool and awkward things, which is really cliché and contrived; infertile couples and Juneau’s father Shouldn't the girl meet in the lawyer's office for the first time? Isn't the reason that the strange father and daughter drive directly to the middle-class house in the noble community to show the financial strength of the adopter and make the child giver peace and joy? Isn't the theme of love the most important thing that the old beauty after the material richness is more important? A couple who thinks about their children madly does not necessarily mean that their love will be more than a couple who have complete children and are still willing to spread love to adopting children...
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