Non-existent character

Kennedi 2022-03-21 09:01:08

This is not a feature film, just like Peng Haoxiang's vulgar comedy. A joke that is related to reality. It is also in the same category as Liu Zhenwei's 92 Black Rose and Black Rose. The works are full of unpredictability that is unreasonable. The story line of unthinkable characters and irregular jumping and marching.

These three films are all supporting roles, and even Leung Ka Fai won the best actor with a supporting role. The character description, whether it is nonsensical, neurotic, or as perfect as Dr. Schultz in this film. The commonality of these roles is that they don't actually exist.

I can't use words such as anti-traditional and anti-typing to describe this kind of role. Because the existence of such non-existent characters is probably the most likely to be to win prizes. This is the only thing I can be sure of after watching vulgar comedy and Jiang Ge. But it’s a pity that most of what I saw was people praising Du Wenze for his acting skills, and most people felt that it would be unacceptable for Xiao Li to not win the award this time. And I didn't realize that it was the performance space left by the expansion of the character itself that was the key to the performance of the actor. This is also confirmed by the role played by partner Huang Xiaoming.

The biggest hot spot in a vulgar comedy comes from the grassy donkey. The person who puts forward this point is a neurotic character who is in charge. Just like a director, when he gets sick, everyone else has to follow him to get sick.

Obviously, the three directors mentioned in this article are of the kind that are not mildly ill. In this film, in addition to Dr. Schultz, the other sick man is the old black slave. In fact, Xiao Lizi's role can only be ranked third. After Schultz and Xiao Li both lost their lives, the story fell into a disorderly state.

Prior to this, the design and surprises of the story were gone. We seem to have switched to another movie. We saw the unreasonable plots of traditional movies reappear one by one, and the old black slave will not talk about it. Other examples are, good people shoot out bullets, bad people don’t kill him, we must catch him alive! At the beginning of the story, the black slaves took up their guns to deal with the slave traders, and Jiang Ge also rode on the horse. At the end, those slaves dared not come out in the opened cage. Do you think someone believed Jiang Ge when he lied to those white guys? Give him the gun! For the development of the story, the movie suddenly became an idiot! This is a mockery and abuse of traditional drama.

In order to avoid falling into the clichés of his story, Quentin described the role of Schultz with a very focused pen and ink. I can’t say that he has a solid knowledge in another country, and his personality is insulted and humiliated to the extent that he draws a gun to the point of death. . But no matter how the interpretation is. The role of Schultz must die. If you still don’t die, this movie should be renamed Dr. Schultz, the savior of the slaves. This role can only get the best supporting actor by death!

In fact, this movie is about the great and glorious deeds of Dr. Schultz! The normal story should be interpreted like this, the old black slave awakens, and the three of them led the female black slave to kill together. Aren’t all standard Hong Kong movies that resemble heroes look like this! This film should also be called the bloody duo of heroes! There is also a supporting actor and a seemingly heroine.

In the end, that stupid playing for half an hour was completely for the title!

The ps phone is not good, I accidentally pressed it before finishing writing it and sent it out! So recommend yourself. I almost never recommend myself...

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Extended Reading
  • Gennaro 2021-10-20 18:58:23

    Zero, there is a type of film called Quentin; one, Quentin only shoots this kind of film, but only Quentin makes this kind of film; second, this film is not so perfect, but it is more attentive than the shameless bastard; third, Quentin It may never reach the height of a vulgar novel, but this work is enough to revolutionize Western movies; fourth, the southern accent hurts, and some laughs do not understand, I will have to read the Chinese subtitles version in the future; fifth, forgive me for using so many semicolons, cuz Ima goddamn programmer.

  • Rubie 2022-03-23 09:01:09

    3.5. It’s not new that macaroni films have a disorganized structure and procrastination, but the ending of the film is unfortunately too superfluous. It should have ended in a contract and a battle, and the subsequent revenge is really lacking in technical and visual effectiveness. . Signing a contract and fighting a design is quite popular and exciting, not to lose to Leone. The characters are also bright and interesting. The play itself is relatively plain and long and has the effect of reducing points

Django Unchained quotes

  • Dr. King Schultz: [aiming .45-70 rifle at fleeing Ellis Brittle] You sure that's him?

    Django: Yeah.

    Dr. King Schultz: Positive?

    Django: I don't know.

    Dr. King Schultz: You don't know if you're positive?

    Django: I don't know what 'positive' means.

    Dr. King Schultz: It means you're sure.

    Django: Yes.

    Dr. King Schultz: Yes, what?

    Django: Yes, I'm sure that's Ellis Brittle.

    [Schultz shoots Brittle off his horse]

    Django: I'm positive he dead.

  • Calvin Candie: Hello. Stephen, my boy!

    Stephen: [black house servant exiting the Big House] Yeah, yeah, yeah. Hello, my ass. Who dis nigger up on dat nag?

    Calvin Candie: Aw, Stephen, you have nails for breakfast? What's the matter? Why you so ornery? You miss me? Huh?

    Stephen: Oh, yes, sir. I miss you like a hawg miss slop. Like a baby miss mammy titty! I miss you like I misses a rock in my shoe! Now, I aks you, who dis nigger on dat nag?

    Django: Hey, Snowball. You wanna know my name or the name of my horse, you ask me.

    Stephen: Just who the hell you callin' 'Snowball,' hoss boy? I'll snatch yo black ass off dat nag down here in the mud so fast make yo head spin!

    Calvin Candie: Whoa, whoa, whoa, whoa! Stephen! Stephen! Let's keep it funny. Django here's a freeman.

    Stephen: Dis nigger here?

    Calvin Candie: That nigger there. Let me at least introduce the two of you. Django, this is a another cheeky black bugger like yourself, Stephen. Stephen, this here is Django. You two oughta hate each other.

    Stephen: Calvin, just who the hell is dis nigger you feel's the need to entertain?

    Calvin Candie: Django, and his friend in gray here, Dr. Schultz, are customers. And they are our guests, Stephen. And you, you old, decrepit bastard, you are to show them every hospitality. You understand that?

    Stephen: Yes, sir. Him I understands, but I don't know why I got to take lip off dis nigger.

    Calvin Candie: You don't have to know why. Do you understand?

    Stephen: Yes, sir. I understand.

    Calvin Candie: Well, good. They're spending the night. Go open the guest bedrooms and get two ready.

    Stephen: [mortified] He gawn stay in the Big House?

    Calvin Candie: Stephen. He's a slaver. It's different.

    Stephen: In the Big House?

    Calvin Candie: Well, you got a problem with that?

    Stephen: Aw, naw, naw. I ain't got no problem with it. If you ain't got no problem with burnin' the bed, the sheets, the pillowcase, and everything else when this black-ass motherfucker's gone!

    Calvin Candie: That is my problem! They are mine to burn! Now your problem right now is making a good impression! And I want you to start solving that problem right now and get them goddamn rooms ready!

    Stephen: Yes, sir, Monsieur Candie.

    Calvin Candie: Go on, now.

    Stephen: Cain't believe you brought a nigger to stay in the Big House. Yo daddy's rollin' over in his goddamn grave, right now. Brought a nigger to stay with us. What kinda shit is that?

    Calvin Candie: Man, the lip on him! Whoo! He's getting worse and worse. Now, WHERE IS MY BEAUTIFUL SISTER?