The story is completed in one go. The characters of the three protagonists are deeply portrayed, the brutal and selfishness of angel eyes, the cunning and fickleness of Tucker, and the upright humor of Brandi, intertwining and merging with endless surprises. On the contrary, Eastwood's role is the most shallow in the play. The highlight lies in the individual music of Tucker, the Civil War and the Japanese.
As far as the audition language is concerned, the shortcomings are the shortcomings of the times, but many of the advantages are Leon's personal advantages. Limited to the conditions at the time, there were few moving shots and special effects, and the lens connection was naturally not as smooth as it is now. However, a large number of long shots and close-ups give the master-level precise composition a sense of unwarranted weight against this vast and desolate background, and also give the actors more space to show their precise acting skills. The music is used a bit absurd, and it is in the style of a Japanese samurai movie. It can not help but reminds people of Kurosawa Akira. The repeated music matches the ups and downs of the plot and is deeply impressed.
This is not a story of justice for justice. As far as the plot is concerned, there are two lines at the beginning: Angel eyes are the first people to track the whereabouts of gold and unscrupulous; Turk and Brandi are rivals who turned from partners into enemies. In the end, the upright Brandi was insidiously pictured. Gram captured. But the two lines merged into a river at the point of the golden treasure: Brandi, who was tortured to death by Tucker, kept his life because he learned the secret of Bill Carson’s treasure. The two were on the way to find the treasure. By accident, he entered the Angel Eye's army, and Tucker was seen through by the Angel Eye who had been tracking the gold for a long time because of Bill Carson's pseudonym. At this point, the golden treasure has finally become the common prey of the three fistfuls. In the development of the whole story, especially the turning points in the second half are very important and surprising:
one is when Angel Eye actually killed the original employer with a thousand dollars (Angel Eye At this moment, the role of "is completely shaped, and the rest is freehand); the
second is when the Tucker gun shop reveals a unique skill (I thought it was just a rogue, but I did not expect it to be a ruthless character. So far, the three people are evenly matched. Finish);
The third is the different methods used by Angel Eyes to force Tucker and Brandi to confess (this is the first full-scale conflict between the three protagonists. "It's not that you are braver than him, but you know you will die if you say it." The
fourth is that Tucker escapes the surveillance and breaks the bracelet with a train (I don’t know how, but I feel shocked and full of the deep desolation of survival of the fittest);
the fifth is Tucker’s crazy search for the cemetery. Making wedding dresses for others (not only the scenes are very classic, but the dialogue between Brand and Angel Eyes throwing shovel in turn is also very sharp);
the sixth is the last three-person shootout (this is the climax of the whole film, which fully reflects With Brandi’s wisdom and foresight, a. He knew that under normal circumstances, Angel Eyes and Tucker would not dare to shoot at him, because everyone was afraid that he hadn’t written the real graveyard on the stone, and they would have nothing to kill him. B. Because the answer is the nameless tomb, there is actually nothing written on the stone. If he is really unfortunately killed, none of them will get the gold; c. He knows that Tucker’s head may not be bright when it is critical, So I unloaded Tucker’s bullet in advance. The director’s not very clever thing here is that the angel eyes died before he could shoot. In order to make Tucker a little black humor in the absurd teasing, Leon didn’t let him. Dead, and the most reasonable situation is that Tucker was killed by angel eyes.)
But how to say, after watching this film, I came to the conclusion that a good movie puts you in the plot and audition, but for you Surprises are always foreshadowing. The turning point mentioned in the plot part is not mentioned yet; the role of Tucker is a foreshadowing between justice and evil. It is with Tucker who is funny and good-natured that this story becomes full and sexy; "Music The two scenes, “Never stop, never stop torture” and “The wounded officer hears the bombing of the bridge” fully dissected the barbarity and cruelty of the war under the shadow of human nature. It is never the war itself that makes us desperate, but the war. The humanity that was stripped out from within; and the scene where Tuke went home and quarreled with his brother was even more trembling, an indescribable complex feeling permeated the whole body, and all kinds of doubts about family affection, humanity, and survival lingered in his mind. No, it not only makes Tucker's role more three-dimensional, but also allows us to experience the hardship and happiness of being a human being.
These beautiful foreshadowings are the gap between mortals and masters.
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