Unstoppable frivolous self-deprecation

Milan 2022-03-21 09:01:07

The attendance rate of the movie theater shows that Nini is popular. There were several laughs in the audience. I thought I had a convulsion. The biggest laugh was when Killian revealed the identity of an adult. Especially "King Lear" (almost like this), and then I completely took it. The Mandarin has become the most adorable plug-in character. Although it is purely to mix with soy sauce casually, as soon as King Lear came out, plus the previous "Downton Abbey", I had to adjust my views on this movie. ——How many directors and screenwriters in Hollywood now have ideas or ambitions.
First of all, they already know how to tickle the current audience, or how to tickle the right amount to make a fuss on hypertext. In the traditional sense, the appearance of Tangjiatun and King Lear are both very tuned. The original intention of the stitched narrative that Hollywood has worked out for decades is to guide the audience as much as possible to the places that should be paid attention to, and to minimize those. Make people disturbing deliberate attention, otherwise the audience will be easily taken out of the movie situation. In IR3, there have been a lot of plots that deliberately make people act out. For example, when "Downton Abbey" came out, my chaotic world view of this movie was brushed even more chaotically-the world of the United States There were a few flashbacks in the movie. It was an alien and S.H.I.E.L.D., and the result was that even if a big cousin suddenly appeared in the movie next time or an alien appeared in Tangjiatun in the next season, I could bear it. (This will probably become Doctor Who), because time and space have been completely opened up. Another example is the Mandarin. The arrangement of this role is like an Easter egg. The fun is to find the contrast between Sir Kingsley and the unemployed actor and Premier League fan in the movie. It’s a rather ruthless self-blacking and self-deprecating performance. It seems that recent movies like to use the internal and external connection between the actor and the character as a stalk. I have the impression that I have seen similar plots in a masterpiece not long ago. It doesn't matter who it is: a distorted character played by a famous actor is easily broken by someone else's sentence He's just an actor (similar to Bill Murray in Zombieland, for example). I believe these arrangements have played a good tickling effect for some audiences, and the pleasure of a creative reading (or misreading) spontaneously arises-because this is not a closed genre movie, but a A lot of USB ports are provided so that the audience can upload data by themselves and then build an open movie with a hypertext reading system.
Secondly, for this seemingly brain-free entertainment film, the directors try to convince the audience that the creators are all stupid stupid. Only the audience is the smartest. A kind of frivolous self-deprecating air can't stop it. I think this It's commendable, and it's much better than action scenes. When Tony needs Gary’s lines appeared, it was just like the Simpsons’ habitual rhythm, so that when she saw Nini’s depression, she didn’t feel sensational at all (some people don’t like Marvel’s sensational style, so you don’t have to be true), but like It's Homer who has a convulsion again. Of course, this has something to do with Nini's exaggerated acting skills^_^. Another example is Mark 42 (it's it) summoned by Nini in the ending duel and hit the mast (it's the mast) and fell apart and the flashing lines of Uncle Killian's long hair. Sure enough, one of the screenwriters of this film is the director and screenwriter of kiss kiss bang bang. Nini’s acting method of illness reminds me of the episode in kkbb where Tang Nini accidentally crashed into the studio to audition and perform hysterical. The previous work of this screenwriter and director is full of self-deprecating irony, and he likes to take actors off (for example, Fang Jimo in kkbb is also a completely subversive character, which is almost the same as the Mandarin in IR3). A more typical example is Schwarzenegger’s "Phantom Hero", written by this man. In pedantic terms, this film is full of advanced deconstruction and anti-genre meaning. It is no wonder that it had a huge commercial failure at the time. If it is placed today, the situation is absolutely different.
Reasons for giving three stars: 1. The title song is blue; 2. The screenwriter’s hard-working cute tricks 3. Killian's pants-he can exchange his experience with Hulk on how to stay away from the transformation. Other content, such as various action scenes, is basically forgotten after seeing it. The above three points are already very valuable. It is not listed as "recommended" because the above understanding is a matter of opinion.

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Extended Reading

Iron Man 3 quotes

  • [spoiler]

    Trevor Slattery: My name's Trevor. Trevor Slattery.

    Tony Stark: What are you? You're a decoy, a double, right?

    Trevor Slattery: What, you mean an understudy? No, certainly not!

    [Tony raises his gun]

    Trevor Slattery: Don't hurt the face, I'm an actor!

    Tony Stark: You got a minute to live. Fill it with words.

    Trevor Slattery: It's just a role. "The Mandarin." See, it's not real.

  • [spoiler]

    Aldrich Killian: But as I looked out over that city - nobody knew I was there, nobody could see me, no one was even looking - I had a thought that would guide me for years. Anonymity, Tony. Thanks to you, it's been my mantra ever since.

    [glances at Maya]

    Aldrich Killian: Right? You simply rule from behind the scenes. Because the second you give evil a face - a bin Laden, a Gaddafi, a Mandarin - you hand the people a target.