As a tribute to the Italian western movie Django, the color and font of the title are almost the same as the original drama, but white Django turns black Django, and there are some plots in the film that make it difficult to distinguish whether it is black humor or racial discrimination. In the second half of the film, since Xiao Li's appearance, his style is dedicated to gangster movies. The scene where Xiao Li talks about the old Ben skull personally thinks it is the most exciting part of the film.
Although the whole show is very Quentin, I personally feel that this movie is not the best filmed by Quentin. The screenwriter and tension are not as good as Pulp fiction, the violent aesthetics is not as good as Kill Bill, and the vengeance is not as good as Death Prove. There are no long shots of women's feet, nor of men.
Quentin's films fit the tastes of people like me who are simple-minded and have hidden violent tendencies in their hearts. Most of the soundtracks he chooses are I like them very much. He is like a god-man who can piece together street stalls to match the style of the famous brands.
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