In the "Batman" series, and even most of the superhero series in the United States, the tone, style and direction of each movie are often determined by the villain. It can be said that the pattern of the movie is as big as the villain's heart. The film has portrayed a still-personalized villain, Bain, with a mask on his face and a voice full of digital magnetism. He is vicious and, more importantly, he is ambitious and wants to set off a revolution in Gotham. Unlike "Spider-Man" and "Iron Man", the villains of these movies are often individuals with powerful abilities or equipment, and they are often direct dialogues between superheroes and villains. The villain of Nolan's "Batman" is often a group led by a distinct character, and as an individual villain, it is not necessarily so powerful in terms of combat power. They are often only able to fight, such as the first ninja master led by the shadow warrior. Alliance, a gang group led by the clown in the second division, and in this part, it is the revolutionary troopers led by Bain. The bosses of these villains are often more powerful because of their strong organizational skills, fascination abilities, and systematic rogue values and methodology, which makes them more "affinity" and authentic than other superhero villains. Let people focus more on their charisma rather than on some weird special functions, and make it easier for these characters to remain in people’s memory. Think about it, in the previous version of "Spider-Man", those villains with all kinds of weird functions How many others impressed you? In comparison, do the children of the Green Devil with some personality characteristics tend to have some impressions in his memory?
In this work, Bain unleashes a catastrophe in Gotham with a spirit that he is not afraid of death, and he is not afraid of bringing people from a city to death. Yes, in the revolutionary section, the picture makes people feel familiar, using deceptive words to provoke the anger in the heart of the "rabbit crowd"; use gangs to enrich one's own armed forces; use the means of entrapment of the interests and lives of the whole people to create one's own security Line of defense; use the blood and tears of class contradictions to water the flowers of evil. From the burst of the city, the film has entered an epic climax. The blasting special effects of the football field are really exciting and exciting. Another clue is the scene of Wayne struggling to escape from the cage. The crowd "rise" shouts and is strongly sad. The background music is also exciting. However, in terms of the overall plot advancement, Nolan’s final editing effect in this part gave me a feeling that I can’t wait to rush forward, constantly jumping from one stage to the next stage almost without excessive, but in the middle. It also leaves a lot of time for dialogues that feel very drooling, which makes the film feel unstable in rhythm. The tight and fast pace is actually characteristic of Nolan's movies, but when it comes to the "rush" situation where there are some problems with the connection, it feels a little out of control. The scene of "The Rise of The Dark Knight" is very grand and the explosion is very exciting, but it always feels that the real human confrontation in the "Dark Knight" is lacking in the battle between positive and negative. In fact, there are not many particularly big scenes in "The Dark Knight". But it is the depiction of the hearts and personalities of the two opponents. The face-to-face "people-oriented" confrontation is more exciting and exciting. This kind of stimulation is obviously not comparable to that of Michael Bay's constant explosion of explosives. However, as the final chapter of the Nolan version of the Batman series, "The Rise of the Dark Knight" is linked to the first, forming a systematic plot that is before and after, coupled with Nolan's cold style, and the role scenes are more balanced, but The mental training and self-sacrifice of Batman himself are realized more three-dimensionally. The Joker in "The Dark Knight" is so dazzling that I now forget what Batman has in it. In this part, from his decadence in the opening and the decisive separation from the housekeeper, he is training himself in prison. The hardships of struggling, the sudden surprise of the person you like, and the self-sacrifice of going to death, many stages make this movie more like a "Batman" movie, and the Batman portrayed by Bell is also in the last one. It left a deeper and brand-like impression.
Even Nolan's previous Batman series with ups and downs still maintains the characteristics of star clusters and individual performances. In this film, the stars are also shining. Bell has more room to play, and Nolan’s Batman, who has an unfortunate past and a dark sense of entanglement, has a better presentation. Not to mention Gary Oldman, in the trilogy, the personality of the veteran policeman is continued very consistent. In this film, Ji Cerf has been greatly subdivided, and he feels that he is actually the second male number. He has created an image of an aggressive and responsible newcomer in the police field. The performance should be said to be at a normal level and not too brilliant. In terms of acting, Anne Hathaway should be the biggest "winner" of the film. Since "The Princess Diaries", her performance has given people a feeling of "just like that". After a shocking burst of surprise in "The Wedding", he immediately returned to his normal state, and it was useless to take everything off in "Love and Elixir". This time is different. This catwoman is beautiful and funny, and she has some small struggles with psychological changes. She has a tight top and is extremely sexy. She has an outstanding performance from her role expression to her personal charm. The most characteristic and somewhat embarrassing performance is the two villains. One of the "bindings" of their performance is that the direction of their characters is more strictly designed by Nolan, and the individual needs to follow this well-designed trajectory. Play. For example, Cotillard, a character who has a full sense of "vase" most of the time, suppressed his acting skills and the limelight in the film. Tom Hardy, who played Bain, was even more embarrassed in his performance. Not only did he wear a mask throughout the film, his face was invisible, and even the voice was not his own voice, but his body felt similar to that of "Warrior". Bodybuilders have different body shapes. They seem to have taken measures to increase weight and even see a bulge in the lower abdomen. As a result, the important means of expression of actors such as expressions and voices were cut off, and Tom Hardy could only follow the plot designed by Nolan. However, in fact, the role of Bain has been very successful. On the topic lists of European and American film magazines such as "Complete Movie", Bain is a hot topic, and this one has some feelings and righteousness, but it is hurt by love. Furthermore, the tragic character with twisted mind and the full character is more shaped by the story. I feel that the actual actor of this character is Nolan, and Tom Hardy’s play space in this film is the same as in Inception Compared with that humorous dream actor, the role is much narrower. However, Tom Hardy has indeed been on the rise in recent years, and I feel that Nolan should appreciate him a lot, and there may be a lot of cooperation between the two in the future.
I mentioned in the previous article "Personality Achievement Movies" that after Nolan took over "Batman", the wisest decision was to boldly abandon Tim Burton’s foundation, while the latter two directors tried to botched The style of imitating, cleverly integrated into the personal style, has achieved a more dark and magnificent Batman, the protagonist is also fuller, more tragic fate. Nolan is also a very successful example of the integration of personal style and commerciality in recent years, and he is not obsessed with a dimension such as technology, and he has a more comprehensive grasp of movies. "The Rise of the Dark Knight" may hardly be called a masterpiece, but as a Hollywood blockbuster, it is still at the forefront in terms of entertainment and substitution. Nolan's "Batman" has come to an end. Next, Nolan will continue his personality and present Nolan brand movies, and when the next series of "Batman" continues to set sail, I think what needs to be done most is probably as Nolan did after taking over "Batman" Don’t try to continue Nolan’s style (in fact, it’s hard to imitate), establish a new style and continue the legend of Batman.
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