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Rear Window: Rear Window
Lyda 2021-10-13 13:06:59
We often see people who are prone to peeping in Hitchcock movies or use the angle of the peeping lens to reflect the world. The rear window can be said to be a classic work that takes Hitchcock's hobby to the extreme. In the film, Hitchcock shows us the nature of the film. From the beginning of the film, we are placed in the perspective of a voyeur, that is, the perspective of the photographer Jeff with a leg injury. In Hitchcock’s view, everyone has a voyeuristic, and the protagonist in the movie is just like us, but But he watched the scenes happening in front of him from the scene, and what we see through the protagonist's perspective is a picture of the scene, isn't it the epitome of the world. The picture displayed by the protagonist adjusting the focal length of the lens from time to time actually implies Hitchcock’s doubts about the world dominated by the topic of patriarchy. We see a dark corner of human nature. In fact, what we see in Hitchcock's film is not only the thrilling plot, unexpected suspense, and most importantly, the dark side of human nature hidden in the story.
Extended Reading
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Candace 2022-03-25 09:01:01
, Within an hour and a half, all the cameras shook and cut in the rectangular windows of the neighborhood, the small rectangular garden downstairs and the dimly lit room of Jeffery, and the peeping lens only stretched to the long back street below the murderer, which was small and cramped. The space does not restrict the tension of the lens and the infinite possibilities of suspense. In addition, I remember that there was such a sentence, in fact, everyone has a desire for exposure and a desire to peep in their hearts. Still makes sense
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Shannon 2022-04-24 07:01:01
#BJIFF# Revisiting Hitchcock feels no exaggeration. Under the premise of achieving the ultimate suspense in "Rear Window" (the smoke in the murderer's darkness is so wonderful that I don't know how to blow it), it also The character arcs of the hero and heroine are well completed, as well as the wonderful dialogue throughout the film and the ambient sound created by the noisy apartment from beginning to end, it can be said to be a perfect movie.
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Lisa Fremont: I'm not much on rear window ethics.
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Stella: Every man's ready to get married when the right girl comes along.