Although you are strictly restrained not to talk about the plot, if you do not touch any comments before watching the film like me, then please stop here, because it is a comment, you will reveal something, which will make you look forward to it. Warning again, it can be stopped.
I had no expectations for this piece in advance, neither eagerly anticipating it nor deliberately waiting to see it fail.
First of all, when I watched the film, I felt that the story was quite catching. Nolan's consistent style, with many characters, many clues, and turning points, tries to add deeper propositions. There are bugs and bridges, but as long as it's a film, there are bugs and bridges. What's more, Nolan likes to leave ambiguous questions. In all fairness, this film is much clearer than Inception. There are no easter eggs at the end of the film, and I especially saw that in the end, the husband and children at home were so hungry that they didn't waver.
Secondly, the film’s casts performed very well. The most brilliant (ranked in no particular order): Grandpa Caine (old and spicy), Uncle Bale (remaining and more charming), Anne Meimei (beautiful and delicious), Jiong Cerf (stable and heroic), Uncle Oldman (gentle gentleman). Most of the stories catch people, and most of them are their acting skills. Tom Hardy is more tragic, so his good-looking face is mostly covered by a mask from beginning to end, violent, and his character's end is more sloppy. I don't like Marion Cotillard very much, but this is just a personal feeling.
The tone is passed down to the first two episodes, but the first episode is brighter, and the second episode is pure and dark. This episode is full of signs of death and decline. Perhaps because of this, some people gave bad reviews. In terms of entertainment and topicality, this episode is of course not as good as the second episode, but I think the sadness of this movie is on its own. It is the sadness of the hero before he gets old, and Bell’s face reinforces this feeling. But, just this time, I agree with the sentence "I love your now devastated face even more", because Bruce Wayne has finally grown from the son of Pian Pian in the first episode to a selfless (khan) hero.
In addition, this drama is a group drama in a sense, and Batman has very little "super" hero meaning. There have been subtle changes in the tastes of the audience in recent years. Perhaps the trend of using classical tragedy to deal with comic heroes is nearing its end, so it caused controversy just as it was released. But I like stories that take the material seriously (of course I also like to handle it easily, as long as it is handled well).
If the recent "Spider-Man" is a thrush, "The Dark Knight" is a big bald eagle.
If "Prometheus" is loose and enchanting net stockings (because it has many holes), "The Dark Knight" is deliberately worn jeans.
I'm watching the 2D digital version. Friends who have seen IMAX are welcome to say whether it is worth it. Please try not to have expectations when watching.
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