I still remember when a classmate laughed at Peter Parker for being just a little kid in fitness pants. Lucky was bitten by a spider and turned into a mutation. It can’t be compared with the forbearing and mature Bruce Wayne—because under Bruce’s expensive armor and mask, it’s A thoroughbred, organic, genetically modified human.
But people who like Spider-Man often block out the B-side element of this name. When we see PP and MJW kissing, we never think that the man is a freak who can secrete slimy things from the hair follicles. middle School student. The spider fans were all hit by Uncle Ben's spell "The greater power, the greater responsibility", and they were dedicated to admiring Lei Feng, the man who is responsible for helping others in Manhattan (the building is too low).
But after three episodes, I still can’t let it go. It’s embarrassing to re-enable the new stories and relive the same theme. To what extent are the people of New York indifferent, and how much helper education is needed? Although I, as a spider fan, like to watch the section where the citizens rescued when Spiderman was all over his body, there is no need to behave like a crane worker general mobilization-I suspect that the creator is lazy and saves effort.
Let’s not talk about new stars, new special effects, new three-dimensional technology and other intentions (2d version is recommended), I still believe that the new extraordinary Spider-Man will have a place in movie history.
Obviously, this film succeeded in inheriting the tradition in the theme of Spider-Man's youth story and surpassing it. Both Stone Girl and Garfield are mature and sophisticated acting sects, who act funny and true to the social incompetence of the middle school. It is particularly pointed out that the two have created an unprecedented scene in film history-worthy of recollection. In addition, it depicts the insurmountable psychological barrier between teenagers and their parents. The performance in this film also surpasses the previous work. By highlighting the gap, it can further promote the theme of Uncle Ben-and at the same time allow the mystery of Peter's parents to go beyond the plot design, but woven into the emotional background of Peter's youth predicament, "Who am I? Can I Let my parents agree with my choice?"-The infectious theme is an important weight for the sequel of this work.
But from the screenwriter profession, the most successful design compared to the previous 2002 is that the occurrence of the villain lizardman and the spider that made Peter mutate are all derived from the same lie—"cross-border genes." We see the variation direction of the lizardman-stronger muscles, vertical climbing and so on. There are many similarities with Peter's variation. When the two wrestle, we also know that Peter is suffering from a stronger attack by himself, making the scene of violence. It's more worth seeing. When the two freaks went out of the same door, they avoided the two different "magic" in the same story. Sam Raimi first talked about the mutated Spider-Man, and then came out a drug-action Green Elf mistake and finally got it. Circumvented.
In addition, we can see that the creators empathize with the expectations and doubts of the audience who are familiar with the previous work. The extensive use of comedy instead of violent aesthetics to complete the performance of Spider-Man's superpowers is an example.
This reminds me of the fact that when Marvel just produced the Spider-man storybook in 1962, its purpose was to give young readers a superhero closer to their lives. Stan Lee’s bold innovation at the time gave birth to the first in history. The protagonist who still had to stumble on the embarrassing journey of life after gaining superpowers. It can be said that Spider-Man is the first "non-hero" character in the superhero genre, that is to say, the first comedy character (Iron Steel Man, who is popular today, is also in this design).
From this perspective, the success of this new episode undoubtedly comes from winning more laughter, and also earning some tears of sentimental years.
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