The original version is cooler and colder, the male protagonist is more official, less confused and calmer, and the cold heart of the heroine is very fascinating. In the suspense narrative, the new version inherited many storytelling methods from the original version, and there is no bright spot. The biggest feature is also the style. Although the time and place of the story are the same, the details are processed to make the original cold and violent aesthetics more colorful. The American version can only overcome the rigidity with softness. The biggest difference is the heroine, which also determines the overall style. Rumi is not a beautiful woman with a special eye, and her skin has been damaged by time and tobacco. The girl with the dragon tattoo is actually more real, and her life situation is more cruel. But Mara is a beauty in the traditional sense. Even if she turns into a white bone spirit (really white bone spirit), you can still see her feminine eye waves and soft lips. What's more sad is that I was photographed at the 45th corner of her looking up. Sadness has arrived. Both versions of the girls have the same life experience and the same bitter feelings. The original version is fully armed to pretend to be a fierce future. The new version is accustomed to the posture of escape at any time in self-defense. The immortal body) is more about revenge, and the latter is more about self-sufficiency and not intruding society. The indifference of the former reminds you of Li Mochou, and the indifference of the latter reminds you of the little dragon girl. Mara is so obedient, the original people use their lives to go crazy and look good at bad guys when they encounter a group of people who are provocative. When Mara meets a single-handedly grabbing bag, it drifts for a while and ran away, silently look at the bag. The package is good and bad. . Even the words used when threatening bad guys are just nodding your head anyway, faintly nodded, like a child who has just been forced to learn badly. In fact, in the above competition, my tendency is very obvious. I will fight if one fails, and run away if the other fails. Since we are going to see "The Wicked Lady with Dragon Tattoo", let's watch the original version, not the little beautiful girl. Fight big monsters. However, the US version is better than the US version. After all, Da Vinci is starting to play cool and not practice Daguankou again. Anyway, it was rated as the coolest title of the year. The director's handling of the sadistic mood festival shows that he is a very kind boy, without the little abacus of gentle scum, nor the pretentiousness of beasts in clothing, nor the curiosity and evil taste of the spectators (people like me), not just the original version. There is something unkind, listen to me. First of all, let's talk about the sad past of being raped by a perverted guardian and the joyous event of anti-rape. In the original version, when the old man tied the girl, I guessed that the Queen’s bow was going to be performed forcefully, and the result was what I wanted. Although the original director tried his best to render multi-angle quick-cut hard-cut close-ups and screamed, it was this kind of technique that was really shocking, but after watching the new version, I started to reflect. The new version deals with waking up, struggling, and picking up pants. (From the past years in the United States to the Swedish millennium, women’s underwear is more fragile than Qiongyao’s heart. I hereby appeal, method one, all women buy BJ usual Wear extra-large thick panties, method two, women should customize a set of tin panties in the sex book, preferably with a lock! Add a code lock!!! Morse code!!! Wipe.) Struggle, lick, scream, Above, crying feebly, the duration is only over 1 minute, simply and neatly, use medium and close shots more often. Although I didn't satisfy my evil heart, I still feel that this is good. In the same anti-rape scene that follows, the original version satisfies the determination of all children to avenge their grievances. The heroine's tough movements and expressions are very well-placed, and the rabbit biting in a hurry is described in detail and vividly, and an exaggerated and deformed personality comes out. ; The new version is also very restrained, with the consistent tone and soundtrack of Da Vinci, concise and capable. In fact, this approach has two advantages. One is that it uniquely inherits the director’s glorious tradition, is cool and does not deliberately whitewash, and is also more cold and generous; second, because the original book and the Swedish film are first, half of the people who want to watch the new movie You are fans of old books and movies, and half of them are fans of Vinci. You can't hide the hot spots that should be concealed, and you can't let the fan group disband, so that the arrangement of not going out of the plot is both helpless and clever. Next, please let me say where this movie started to impress me. It's actually the relationship between two people. As mentioned earlier, I just have a bad taste, and because I watched the original movie, I silently counted down how long Mara will be on 007 from the beginning, but I counted 98 minutes. . . Hey. It was 76 minutes since the two met for the first time. Why is this? We have to start with the US version's grip on the character's character. (In order not to talk about the new and the old, I called the actors directly. The Swedish version is Rumi, and the American version is Mara.) Mara’s resistance to interpersonal communication from the beginning Rejection (especially for masturbation!!) is fully manifested from work to life. Rumi is just unfriendly, but Mara is more afraid. The lack of calm inside makes her really cool and weak. The only time she showed normal human emotion was her reaction after her original guardian fell. There is another point that is particularly good. In fact, such children tend to be more at a loss than ordinary people's panic when they face the heart-moving people, because she has never taken the lesson of emotions. When she met the girl in the bar, the two looked at each other and felt that they were coming, but the girl who moved first was a little bit ashamed, just like a boy met a sexy mature woman. Because of this, it made more sense that she just silently hacked into 007's computer without responding before meeting. This delayed their meeting time, and this time was even longer because there was no letter inserted in the middle. Such an unhurried and slow handling is really master-level, slowly laying out the character factors, and the contradictions slowly emerging, instead of arranging according to the viewer's preferences, which makes people want to stop. Now it seems that even if you are the reincarnation of Robin Hood who is honest and good, a lesbian who absolutely hates male prostitution and refuses to have any contact with male prostitution has been silently helping male reporters investigating crimes and sending emails from time to time, which is somewhat ambiguous. Up. The new version of the screenwriter has used a lot of brains on the change. Looking at it this way, the original screenwriter should be a heterosexual. He always feels that this woman actually has a desire and desire for this man, but this kind of nasty taste and vulgar thoughts also exist in the hearts of every one of our viewers. After 76 minutes of speaking, 98 minutes of speaking. Before the two people go to bed, the original version made the following preparations: Rumi’s paranoid personality, Rumi’s repulsive instinct, and the gentle life personality of male pig’s feet. The two struggled to investigate crimes in the same working environment every day, and the two people were very happy with relaxing music. The two people thought about the bloody scenes together. Rumi had a nightmare and was awakened and went crazy to protect herself. Let the hero see the fear in her heart in his eyes. The words of the hero reminded Rumi of bad Rumi smoked a cigarette alone and refused to apologize to the hero, and then Rumi thought about it, and it happened. This arrangement is almost complete and well-founded. It fully shows that the male protagonist feels distressed towards her with normal women, and there is also a mentality of being unable to guess but more eager to guess. Rumi also gradually put down his defenses while getting along. Unintentionally reveals fragility. The occurrence of sex scenes is a manifestation of her being injured and afraid of needing someone to accompany her. It is also a normal reaction of her strong habits and gentle male pig's feet. It is also that she is careful not to let the innocent male protagonist blame herself, but it is indeed impossible for her to be a bitch. It is reasonable to say that it is not your fault to take the extreme approach, and it will happen naturally. Before the two people go to bed, the new version made the following preparations: kind and honest male pig's feet who love small animals, stubborn and cold female pig's feet, smart and calm female pig's feet alone to efficiently investigate the case and install surveillance with far-sightedness, female pigs The feet go their own way and do not show good intentions and do not respect manners. The male pig's feet are shocked to see the female pig's feet strong and coldly narrate the tragedy of the tragic death of the female. The female pig's feet are inevitably in professional habits or normal human curiosity or to the male pig's feet. I have a slightly unusual interest and secretly saw the private photos of male pig's feet on the grounds of work. The male protagonist was shocked by the corpse again. The female protagonist took photos calmly and wisely for evidence. The female protagonist is shy and gentle towards the girl he likes. The male protagonist is very silly and naive. I went to investigate the case and was attacked. The male protagonist was very afraid of the pain and cherished his life, and the female protagonist was very manly and simply gave him stitches. The male protagonist kept talking about it, it was painful and crazy. And went up and threw it on, and it happened. I like this movie from then on! Before watching this, I didn't finish watching "Social Network" because I couldn't stand "Social Network". At one time, I thought that this film also showed the end of Da Vinci's Jiang Lang. Seeing this, I returned to the ranks of Vinci fans. The interaction model of the hero and heroine is actually very clichéd. Two impossible people work for a period of time and stand in one night. Compared with the original movie, the men are not professional enough and the women are not tough enough. But the film is handled this way out of intention. As mentioned in the previous article, Mara’s personal temperament is one aspect, and the director’s setting of her role and the foreshadowing of her character show us a girl with a pure heart and a quiet surface who refuses to interpersonal. When she coldly treated the male protagonist irrespective of his feelings and was tough to help him, the silent care and apparent disdain could only explain her straightforward character, but she took the initiative to get the male into bed. The Lord forgot the pain, but bluntly spoke of her courage and fearlessness, as well as her hidden kindness and compassion. It is this simple thing that directly throws out a greater inner drama while taking on the previous paragraph. This is what makes Vinci astonishing. On the surface, he just followed the commercial method to shoot a lust. There are so many subtexts in the lively sex scenes, and the "foreplay" before the scenes and later stages of the sex scenes is shot with American humor, which makes people want to kneel down. At the same time, savoring the characters in this scene is also very convincing. I don't know how many catties Craig lost for this film, or the effect of makeup and color. In short, seeing a middle-aged man guilty of screaming while dodging and grinning, the tough guy in my heart was wiped out. The contrast between his weak appearance and Mara's strong appearance formed a customary interaction, so Mara took the initiative to stop him from talking. This is in line with Mara’s reaction to the sexy girl mentioned in the previous article, and it can even explain Mara’s heart. She likes women. Although the appreciation and liking of this man has exceeded that of ordinary men, he It's still the animal she hates most-the man, so Mara can still control it arbitrarily in front of him, without the restraint and seriousness in front of a girl. After Mara asked him to take off his wet clothes, she had an idea for an instant, and then watched the disturbances in the outside world, and this process was so fast that the protagonist hadn't finished talking about it, Mara had already walked to him and took it off. Pants. Compared with the original version, this process is very different. More pen and ink of the original edition are used to describe Rumi’s incomprehensibility and unfathomable heart and hesitation. Rumi is really very feminine. Her sensitivity, self-defense and hesitation are all exclusive to women in my heart, so the original Mi's image of being strong on the outside and soft on the inside is very well put, and it makes people wonder if she really thought about talking with the male protagonist ML? Then kept smoking and struggling, and finally couldn't hold back? I don't mean to doubt it, because the Swedish version has indeed been done very well, but I can only say that when it comes to the process of sex scenes, I am more inclined to the US version. The American version happened simply and jokingly. Although Mara is not as strong as Rumi, she has shown courage in this matter. She does not have Rumi MAN on the surface, but her heart is better than Rumi MAN. This character is actually more unified and more legendary. , Because after all, the original version is depicting a strange woman, and the new version is depicting a little boy. But the above is just a derivation of the first half of the film. Later, when she grew up, the girlish feelings that tomboy boys had been missing since childhood suddenly came. It means that I have never read the book. The original movie is cool to the end. The temporary friendship between the two people in the middle is what I interpreted as warming each other and sympathizing with each other. In order to express the dragon tattoo girl’s strong self-esteem and self-defense consciousness, the two people get along more often. It was the male protagonist who wanted to get close to her and love her, but the female protagonist asked him to cool off. After the truth was revealed, Rumi still looked at the work relationship to help the male protagonist investigate the case to the last minute, and even the tricks and methods used made people Sigh this is a very clever and extremely clever woman. In the new version of the movie, the second half of the movie is irrevocably moved to the tune of the emotional catharsis station. The plot is slightly different. After telling the truth about the story, the US version used more power to talk about the male protagonist’s career, echoing the beginning and having a more complete structure. In this process, at the same time, the reason for this gratifying event was laid out. Behind a man who successfully rehabilitated must be a clever, resourceful and brave beauty. But in increasingly sensual movies, these are not the key points. Except for the positioning of any previous Swedish work, the US version of "The Girl with the Dragon Tattoo" talks about a pseudo-lesbian who was persecuted by men and slowly fell in love with men and eventually A story that ends without a disease. It was accidental that two people had bedtime. One person enjoyed it very much, while the other planted seeds in his heart, slowly germinating and even blooming. After that time, Mara began to take the initiative to cast her gaze at the male lead. Compared with the original dodge and disdain, this change was amazing. The two people will warm each other from time to time. It is said that the closest to the woman’s heart is the vagina. Da Vinci must have nodded silently, because after that, Mara never showed the rejection and rejection in the film, but the original version It also depicts that she watched the bad guys get burned, and felt a sense of pleasure because of being close to her own dreams. The American version of death means that the bad guys died and deserved their sins. After the bad guy was caught, just because of the male lead’s words, Mara opened her heart to talk about the cause of her tragic history and current situation; while resting and working in the hotel, he touched her at work as soon as he got into bed. She liked to put it on her back. A sense of security and belonging, even actively letting him put his hands in her clothes. In fact, it is said that when a woman begins to demand a man, she is doomed to be humble and doomed to lose; when making love and doing things, The male protagonist is still working crazy thinking about the case, but Mara can't stop it (the director uses this scene to explain the urgency of their investigation and explain the narrative, but also pave the way for the development of the relationship between the two people. Drama The effect is also very obvious, I have to say that I can only kneel). She did not conceal her surpassing in front of his old lover. Because of the embarrassing situation of the male lead, she directly decided to live Lei Feng. She wanted to help him realize his career ambitions without being named or profitable. At that time, Mara's eyes were full. It's all gentle, all about wanting to get closer to this subtext, but it's a pity that during this time she went out to work hard for him in silence, the male protagonist was together with the old lover again, and worked... Rub! ! Not worth it, not worth it! ! ! Still stupidly telling the old guardian that now I have a friend, and I am too happy. This child is really emotional. Helpless, too silly and innocent Mara has been planted in it and she can’t see anything, until she silently prepared a Christmas gift, only to find that the dog and the man are walking away slowly with her arms around. This makes me feel so embarrassed that I want to watch the American version. How can a fierce woman with a dragon tattoo be so affectionate? In the end, the picture is full of lonely and sad sorrows, and the little dragon girl with the dragon tattoo returns to the orbit of fate and disappears quickly. Da Vinci had been filming men's scenes before. Starting with Benjamin, I found that his discussion of emotions and relationships had been sincere to the point of touching. This time I watched the movie, I unexpectedly began to doubt that he began to become a spokesperson for women's voices. His grasp of the woman’s heart is breathtaking, and he has made a black violent suspense film into a forbearing and restrained love film. This kind of treatment makes it incomparable and incomparable when compared with the Swedish predecessor. When not compared, Vinci's powerful control skills and sincere and delicate expression were shown. I don't feel that it falls into the cliché at the end, but it becomes a little fresh that makes people sad after the heavy taste. From an emotional point of view, support the US version.
View more about The Girl with the Dragon Tattoo reviews
