First of all, the genre should have a Classic tone and a stable chassis, and the spine generally prevents the various elements of the film from being too scattered. Switch It is not too obtrusive. The scenes in which Liangtang appeared in the scenes are the tune of a classic spy film in the 60s and 70s-first, the pipa is faintly exposed. Before the front is shown, the Harrier stands up lightly and smartly, giving you everything you need to know about The message of this character, whether it is Ethan’s diehard fan or a new audience: an artist not just an actor.
This point, he gently and elegantly closes the door, and instantly gently supports the back of the anesthetic informant's head and countless subsequent The details of the actions were repeated and confirmed. Moreover, before the curtain officially opened, Ethan was very silent and the dialogue was extremely simple. Most of the time, he relied on his eyes and gestures to convey simple and clear messages, like a master of what he does. Especially Simon Peggy, who made him the green leaf, said something like that.
If the American spy film is not for the continuation and development of the Cold War with the former Soviet elders, although the freshness always feels that the weight is not enough, it is a small mess. Coupled with the scene switching to give a bird's-eye view of the location very classic, IMAX's extremely delicate performance makes this empty scene beautiful. When the Kremlin exploded, the first reaction was incredible! WTF? The Kremlin was blown up so quickly, it was too big to play!
Never thought of the end of the world, anyway, crime must and must be stopped. The interesting thing about this film from the beginning to the end is the absence of high-level Russians. Apart from the third-party contact person and the crazy doomsday trigger, there is only one criminal policeman who seems to be an outsider, who has been bitten by the Kremlin explosion without knowing the situation. Ethan didn't let go. It is always ambiguous whether or not the high-level officials knew that the nuclear bomb and the password were stolen at the same time. Because of this, the high-level government's stance on the crazy theory of using nuclear war to trigger the end of the world to seize the first opportunity is also mysterious and meaningful.
Ethan's direct contact and immediate boss died again, and finally it was the turn of the IMF minister (this time it was really dead!). The small team lacking equipment and support, this time must use a small scale, find a way out, and make new friends. Needless to say these old routines. The point is that four people enter the most exciting Dubai with unstable equipment. Brother Tom is here to dedicate the most extreme sports performance, breathtaking! As someone pointed out, it was worth the fare just to see Brother Tom leaping over the fire hose. As for me, I also like the chase of the subsequent sandstorm (personally prefers the mysterious fog to increase the difficulty). Especially when the car was farther away, the shadows faded away, the fog quickly dissipated, and the language of the lens was amazing!
Then there are internal opinions not to quarrel together. The desperate atmosphere in the chaos infected everyone except Captain Ethan, allowing his few simple actions to produce the best leverage effect, leadership!
If it is said that a large number of advertisements are being placed on Apple in Dubai, then it is a full-scale performance demonstration for BMW in Mumbai. Especially the fall from the height of the car tower, OMG! Heartbroken and drunk (it's okay to scrap a car that is so good) and that weird eye movement, really Nima creepy!
At the end of the emotional egg, the eye contact that runs through the audience was drawn to a successful conclusion. It was concise for a few seconds, and it was heart-warming several times.
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Throughout the whole film, emotional motivation is still the weak link of the script, but considering that its audience covers various education levels around the world, I have to compromise and add vernacular explanations to some scenes that are unnecessary to me. At least it's not very ridiculous, even if it's an acceptable stereotype.
Even with the 3D blessing of "Flying Armor of the Dragon Gate", which Jia Zhangke fascinated me, did not get me back the excitement of watching an action film for the first time in the whole scene. There were only a few Jet Li kung fu. But this movie, this "Mission Impossible 4" completely immersed me back to the first time I was lying on the computer and watched the "Mission Impossible 1" VCD dumbfounded.
From the perspective of the script and the director, this fourth part probably cannot be compared with the first or second part. But considering Tom's performance, it's hard to distinguish between them. This is probably fifty and knows the fate of heaven. Atango has best used his core competitiveness in this type of action film. The eye contact and the use of movements have a qualitative change compared with the previous three! Naturally, it cannot be compared with Jet Li’s strength and flexibility, but it is a similar genre: fierce but soft, with a vein and toughness throughout the body, it is definitely not a fist embroidered leg-although the degree is different, they all understand and know if Achieve the ideal effect that each action should show.
When the lights came on again, it was discovered that the initial 70% to 80% attendance rate is now full. The crowd who left in twos and threes, only me and a buddy on the left rear watched the lengthy subtitles, show our respect——The girl on my left watched very happily, and she leaned on the shoulder of her boyfriend (or husband) for the second half. . The guy on my right looked vigorously, leaning forward almost all the time, leaning his elbows on his thigh, almost completely ignoring the existence of a female friend on the right. As for me, I leaned on my shoulder and watched every move on the giant screen with joy.
As I stared at the pinyin-style Chinese names that kept flashing in the English subtitles with a tribute, the visual effects were completed by the cooperation of San Francisco and Singapore companies, and the animation team of more than 100 people... I was able to breathe in my mind and recall what I saw before. Fragments, Jiguang Kataba is enriched to a new level-this is a perfect viewing experience with flaws within the error range. Atango completed this commercial performance task several times above the average standard. The opening captions saw his production company also participating. I don't know how much he personally participated in the script creation and how much his ideas penetrated into the shooting execution. But from beginning to end, this is more like a personal work by Tom Cruise.
No matter which direction the focus of future life is in, I sincerely hope that there will be such a work that penetrates my will and can be relatively perfectly presented. Just like it satisfies and touches me, to satisfy and touch others (at least, it is a good thing that is recognized by the society, and is positive and positive).
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