——First talk, that Shannon’s old friend, did the inspiration for cutting with a razor come from the hairdresser Todd?
I found that Drive was a complete surprise. I thought of Ryan, an old lover, from CrazyStupidLove, so I hurriedly searched for recent nefarious supplements. Unexpectedly, I fell in love at first sight, typical characters, typical backgrounds, typical stories-I haven't seen the director's other works (if it wasn't for Ryan's little literary nerves, I would probably not watch it), I would like to express my compliments here. In a word, Refn is very talented, and has never deviated from the direction step by step on the violent and violent road.
Halfway through the beginning of the film, the boy's father fell to the ground with blood and groaned. Finally, from here on, the true face of the bloody B-level film was torn apart. I can't help but compare it with the scimitar torture room. Robert played with purely violent aesthetics. The blood sprayed to kill people was like a cat and a cow, and it was hearty, just like Li Kui killed people and killed them smoothly. And there is no discomfort at all. It uses a heroic perspective, the beauty and the ugly are opposites of good and evil, child-like worship and innocence.
And Drive, every killing is deeply depressed, concealing the life experience, the prodigal son turned his head, because of the gentle infatuation of the little man, struggling to resist, and playing a light literary accent, determined not to wash his hands and retreat from the rivers and lakes but had no choice, so he took this helpless compassion and Sorrow and go to kill. The tone of the film is a bit like those of Hong Kong films that have been sealed for a long time, the stories of Carmen Mong Kok or Alang, the successful resurrection of genre films in the 1980s.
He was driven to a dead end, unable to retreat completely. He has a fixed uniform, leather gloves, a cotton jacket, and a shining golden scorpion on his back. You can think of it as a symbol of the lone star of the evil spirit or the god of the sunset. In short, he put on a plastic headgear blankly, his face was bright or dark on the night highway, and the corners of his mouth waiting for the best time actually seemed to be smiling. With the melodious female voice, the whole picture becomes beautiful.
In the afterglow of the setting sun, the elders are destined to lose their lives, and tomorrow, the real tomorrow will never come.
Ryan once again used his impeccable and perfect acting skills to prove that he can handle a role similar to the killer of the predator. By the way, he has been horribly interpreted in All Good Things.
I have been wondering about the ending, and wondering whether the director is generous enough-will this car god embrace the beauty and return to the mountain forest, or will he use his hundred years of loneliness to achieve the peace and happiness of the heroine and the child like slaughtering the hell or the Oriental promise? Turns out I forgot, the answer to the story has actually been picked out by the old friends.
View more about Drive reviews
