And this film is not perfect, it is still a little crafty in the overall processing, so it can only be classified as a quasi-master work. Below, I will talk about some of my experience of watching the movie.
First, the structure of the plot The
first half of the film is a relatively common story, which is Aronofsky’s mystery in the subsequent outbreak, mainly to bury some of the bottom line of the story unknowingly, and at this time, The story is to first lead the audience to another place that is not marginal, and then gradually turn the direction of the film and rush towards the theme, and the audience is just the passengers who don’t know where they are going. The car was driving well and suddenly turned towards the cliff. When he ran, the master in the car naturally broke out in a cold sweat. And the purpose of the movie has been achieved. The main means to confuse the audience in the film is the psychological cues that can be seen everywhere in the film. The role arrangement is very elegant. Nina’s anxiety and psychological cues to self, mother’s control, dancers fighting over and under, the superficial expression of the director’s intentions, some details are enlarged, and these elements are arranged and combined. Naturally, different plots can be drawn, plus the camera. The reasonable collocation of the soundtrack makes the story confusing. The film’s overall psychological cues to the audience and self-psychological cues from the perspective of Nina made the audience stunned for a while, so the final plot change continued to erupt, and the bewitched audience who had been led by psychological cues Only slowly realized Aronofsky's intentions, after dumbfounded, he naturally applauded.
In fact, the arrangement and hints of this kind of plot are more common, but it is not easy to grasp it well. Aronofsky has deep skills and is naturally handy to play with these things, but the final horror of this film is still a little too hasty. Some places are rough, unexplained perfect, and craftsmanship is heavy, so this film is not considered a masterpiece. Aronovsky can only temporarily occupy the ranks of quasi-masters.
Second, some of the psychological applications in this film (pretend to be 13)
are natural. Freud’s main points of psychological theory can almost be perfectly applied to the character Nina in this film, and Nina is simply a To support the classic case of Freud’s theory, Freud’s theory can dissect the role of Nina very well, and Freud’s performance in Nina is nothing more than childhood experience, sexual depression, and the self-oriented nature of personality. What I do and so on, anyone who has read Freud's theory can analyze Nina perfectly, and then submit a semi-deliberate psychology paper. Sometimes I have to sigh that sexual depression is really a terrible thing. What a little girl, because of this sexual depression, she is all perverted. Airplanes, if you are depressed, go and fight. It is unhealthy...
Closer to home, Floy De believes that personality is composed of ego, id, and superego. The id is the primitive part of the structure and is composed of people’s most basic needs. It is the principle of happiness that governs people. Self comes from the id. When the id cannot be satisfied, the self makes concessions and belongs to the principle of reality. The superego is the highest, formed by the individual in the social environment, and the superego is full of more moral factors. In Nina, the id has been suppressed all the time. This is related to her mother's factor. The interaction of these three mes caused Nina to split and have hallucinations. It is more appropriate to use these three mes to analyze Nina. Naturally, You can call a psychiatrist to write this film review. Balabalabala...
Third, the lens and the soundtrack (13 ing)
The lens of this film is quite powerful. At first, I didn’t understand its use of handheld photography in many places. I only showed its intentions when I saw it. The most beautiful passages of handheld photography in the movie were danced with Nina. Follow the shooting to make the audience pay more attention. Nina itself, the way of following the shooting, makes the lens of the movie more jumpy, and the audience will find an object in the lens to maintain visual stability, and this kind of handheld follow-up can make the audience more involved in the scene, and a large number of frontal close-ups can also be used. Let the audience get deeper into Nina's heart, and the psychological hints play a role. On one level, the use of the lens is to let the audience fall into the trap better. Aronov's pragmatism and control on these foundations are truly admirable.
The soundtrack, the soundtrack of this film is even more brilliant. The soundtrack is mostly piano music. For a classical music lover like me, the soundtrack of this film is really gospel. The soundtrack of "Black Swan" was largely adapted from Tchaikovsky. "Swan Lake", which caused it to miss the Oscar's best soundtrack (violation), but this does not affect the soundtrack. After all, where can the work adapted from Tchaikovsky go? The use of sound effects and the progress of the soundtrack greatly enhance the expressiveness of the film. The classic style of this film also comes to a large extent from the use of the soundtrack. In short, the soundtrack exists for the movie, and the soundtrack of "Black Swan" makes the movie more perfect.
Fourth, the abnormality of the former little loli
Natalie Portman’s performance in "Black Swan" is completely convincing. This should be her most successful performance after "Killer Leon", even surpassing the former, and she is nominated for Best Actress Oscar. Actually. It’s not easy to play a role that gradually splits your personality. From the initially well-behaved and sensitive little princess in the film to the explosive Swan Queen at the end, Nina’s transformation is a little bit, not a qualitative change, Natalie Portman peeled off his depression bit by bit when playing this role. His performance was progressive. On the basis of grasping this important situation, Portman was very successful. In the end, as a black swan performance, Natalie Portman realized a strong ability to transform. When the audience in the movie applauded for the black swan, the audience outside the silver screen could not help but be Natalie Bo Man’s superb acting skills applaud. Portman’s grasp of this disturbed role is really outstanding. Nina in the movie was originally a well-behaved white swan, but since being selected as the Swan Queen, the white swan gradually unearthed the other side of her black swan. , To dissolve two completely different characters into one, and to be perfect, not to fall apart, it’s strange. In the case of Nina, she must dig out the negative personality that she has always hidden, and this move is devastating for Nina. , She must die and live. In essence, Nina is an outstanding and dedicated artist. And outside the film, we must also sigh, Natalie Portman is also an outstanding and dedicated artist.
Fifth, some
personal opinions about Oscars feel that the chance of winning this film is relatively low. "The King's Speech" is more in line with academic tastes, but in terms of artistry, "Black Swan" is not inferior to "The King's Speech" ", personally like "The King's Speech", Natalie Portman is my best actress candidate, Colin Firth is my best actor candidate, it is purely speculation, if the situation is different, please Do not shoot bricks, if they are similar, it is purely coincidental. Oscar can't explain much.
View more about Black Swan reviews
