"Black Swan" brought a 103-minute nightmare. The inner fear of a failed dancer was greatly magnified by the director, who constantly challenged the audience's nerve endurance with continuous damage to the fingers, body, and spirit. Tensed breathing, fierce reactions, indifferent interpersonal relationships, sexual arousal without any love, and repeated conversions between reality and fantasy, these boring bridges are like an iron-blue cement wall, propping up a pursuit of so-called artistic success The fragile path of the film cannot be attached to a full story that both movie characters and movie audiences need. It is painful that the director seems to be intoxicated by drawing his fingernails on this wall over and over again, thinking that the audience is tortured as success.
It must be admitted that the director is a master of detail rendering, and at the same time a habitual offender who makes the overall situation out of control. In the final analysis, it is not difficult for an actor to understand the importance and fear of the stage and the self-recognition and questioning of himself in an ordinary audience. In the real society, everyone has their own stage and their own performance moments. Are the actors in the movie the audience outside the movie themselves? But even more so, this kind of psychological tension must not cover the entire film. But the reality is that Natalie Portman’s undecided expression made us nervous all the way to the end. The audience has no time to feel the accumulation of emotions, let alone the catharsis of emotions. From the very beginning, the director picked up all the audience and put them on a wire rope. Each stop lasted for more than 100 minutes. There was only one theme during the period, namely: to see how a crazy dancer tortured a bunch of audiences into crazy. .
Originally, how the heroine blended the pure white swan with the evil black swan—this is still a good play-in-play nesting, but this did not really correspond to the description under the director. Under the director's lens, the heroine's monotonous and barren life background was not enough to support her to complete such a multi-faceted role, but she unfortunately got it. What we have seen is how a paranoid dance refers to how the lard that the overlord used to make the bow obscured his heart that was supposed to perceive his talent. He seemed to give the heroine a chance to prove himself, but it seemed more like to prove his own judgment. The director succeeded in interpreting his twist of "being a male" idea into a masochistic ballet "bitter journey" (there is also a cultural bitter journey in a certain country), and its role is not only to launch an ugly "come" in front of the screen. "Female" has also vigorously dispelled the original beauty of ballet in many people's hearts.
Needless to say-with professional acting skills and professional dancing, Natalie Portman did succeed as an actor, but the whole "Black Swan" did not fly lightly, but with an extremely heavy and painful The way brought the audience into the abyss.
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