I have to say that the film has a looming blackness. Imagine that it takes a very subversive way to make the image of a serious villain into a healthy and upward male character with both educational significance. Animation works favor characters with flawed personalities, so that they can lead to a spiritual journey of growth and a consistent universal theme. Although this is a little older, he is still teachable. This despicable me, a Frankenstein type (scientist is the villain in many movies all the year round) did not do any outrageous or harmful deeds in the beginning of the domineering show, at best it is that we may have all been. His ideas are presented in a way that is joking and in line with his scientific genius, keeping a distance from those typical anti-social and anti-human villains. Even his shocking conspiracy to steal the moon has become a play house game to entertain the audience, and the motive itself is very small, so there is no such thing as conquering the world's solemn rhetoric. Judging from the top-heavy style of his styling, there is a sense of being strong on the outside while doing the job. The face reminded me of the skinny gourmet in "Ratuitouille", but it was a bit less acrid and a bit thicker.
If you look at it from an adult's point of view, this animation work really tends to be more juvenile. It’s a pity that although the film has opened up a situation where bad guys play the leading role, infiltrating black crime elements and the subsequent mocking laughter, but soon as the strange uncle and Loli gradually in-depth exchanges (preposition looks like Quite evil), the loli's lovely and extreme smiles dissolve every rock-solid heart. The overwhelming warmth came again uninvited again, drowning out the vigor that was rarely seen at the beginning. The ode to the return of the pattern of humanity began to play, and everything returned to a calm pace. In the end, it was nothing but a big success.
Although the film cannot escape the warm whirlpool and cliché traps, the world it creates is still remarkable. It is very different from the Pixar DreamWorks family that we are used to, and it is more stylized. Weird, inconsistent, and illogical, but in fact, it fits the overall shape very well, not paying much attention to reality, and instead pursues the ultimate in a whimsical world.
"Despicable Me" has achieved box office success in North America with a dark horse posture. More profoundly, it is Universal's arrogance in the field of animation. Universal's first shot in the 3D field was given the opportunity to flex its muscles, and the sequel to the film was early in the morning, and it seemed that the road ahead was bright. "Despicable Me" has its own unique advantages, but also has its side that is too dependent on the mainstream model. After the gimmick, how to dominate and cope with the rest is to continue to decorate with cuteness, to irrigate with sweet feelings, or to find ways to go further on the paved road, it depends on your future choices. After all, an accidental success does not explain much.
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