The first time I watched it was the original version. Because I paid too much attention to expectation, my first reaction after the end was not very exciting, the impression was very messy, and it was not very entertaining. Today's second national version completely broke this awkward situation. I analyzed it, and there are probably three aspects. One is because of the excellent national distribution. The quality of the dubbing this time seems to have a strong brilliance of the translation. Many lines of the country’s jokes are much more imaginative than the subtitles, and the dubbing actors are also very professional in imitating and choosing, such as the dubbing of Dantou and Mrs. Dantou. , The characteristics of the voice line and the laugh fruit are even significantly better than the original. The Tong Zirong version of Hu Di will spread a natural sense of nostalgia to the audience. If you are lucky, you will go through fifteen years inadvertently. I believe that the process of dubbing is actually his own creative process. In many details, he matches Hu Di with a lovely sense of joy. It is natural and three-dimensional. When I think of this dubbing actor, he is almost 70 years old. , The gap between reality and cartoons is simply unimaginable.
The second reason is that the dark period in the kindergarten in the middle and early stages may cause psychological discomfort to some audiences, and this discomfort will be overwhelming when reviewing movies in the future. Because the plot can only go like this according to the design of the script, but it is not so uniform in style with the emotional foreshadowing of the whole movie. Just like the setting of the first episode, Hu Di’s jealousy and selfishness towards Bass at the beginning impressed me deeply, so even if they became good brothers in the final ending, the shadow of the first episode still seems to exist. This shortcoming can be said to be a congenital disease of playing 3, which is inevitable but also helpless.
The third aspect is that there are multiple and meaningful "details" in Play 3. They are often laid out very concealed, and it is easy to overlook or forget the first time they are seen. However, if you study carefully, you can discover the importance of these hidden details to the movie itself. Once the audience goes deep into it, the emotion of the movie will follow the order of the details. Very thorough understanding.
For example, the new character Ken, the movie shows a lot of jokes on him, but the setting of all the jokes is not messy. If you string together the jokes that happened to him, you will find that they clearly show Ken’s feminine qualities without showing any traces: for example, Ken wears Barbie’s silk scarf on his neck and uses glitter paint. His pen writing, his natural passion for clothing, and the bookworm’s attitude towards high heels. The most obvious is the scene where he was subdued by Barbie when he changed clothes. Note that Barbie did not take any measures when he changed many sets of clothes before, but when he appeared in a Taekwondo suit and fiddled with fists and embroidered legs, he was slapped with hands and feet. The irony here is very strong.
This is Pixar. Why is it so far ahead of ordinary animation companies? Why can it remain the secret of eternal success? Because even if it is as small as a supporting role, it will use details to serve the character's character, and the design is seamless.
The constant pursuit of details but low-key performance is the biggest shining point of Pixar. This detail is not only the technique of 3473271 hairs on Strawberry Bear, but also the bold imitation of the classic movie Mission Impossible, Exorcist, Lord of the Rings and Star Wars. It is not only the formation of the slightest reason for the character's personality. This is a kind of soft power that is more real but invisible than anything else. It is a spiritual level that those superficial filmmakers who are only keen on appearance skills cannot understand!
At the beginning of the movie, Andy’s placement of Hu Di and Bass separately is a meticulous design. I personally like to compare it to the key to unlocking the emotional direction of the entire movie. First of all, here Andy’s different attitudes towards the two toys is a little bit awkward to bring the story back to the first episode, but the screenwriter did not struggle with this problem, but let Hu Di be with everyone for a series of reasons. In principle, there was a disagreement. However, because the original appearance of the incident that Hu Di saw was more real than most toys, his choices and decisions appeared to be more rational and objective. His loyalty to Andy in the previous paragraph has always been very firm and simple, that is, as a toy, I have the responsibility to accompany you, regardless of whether you have passed your childhood or not. The turning point occurred just before Andy left. Mom choked up when she saw someone go to the empty room, and the mother and son hugged each other. This scene resolves the principle that Hu Di, who has been hiding in a box, has always been incapable of being changed by anyone. He began to realize that there was no absolute defense and following, even Andy's mother could not accompany him for life. Human life is a process of welcoming new people and letting go (as are toys). No matter how affectionate you are, there will always be an end. You must accept the fact that you leave them. The tragedy of Strawberry Bear is that it can't accept the fact that it is replaced. The once beautiful love has become a reason to deceive it. Love has turned into hate before it goes to extremes and gradually forms a powerful dark side in its character. The choices of Strawberry Bear and Hu Di are very contrastive. They once stood at the same fork in their lives. The beauty of the past made them infinitely attached and reluctant to give up, but in the end Hu Di bravely chose to let go of the past (this Brave has been explained in the incinerator), it led the partners through this stage of change safely and fortunately entered a new life; while the big bear paranoidly entangled in the knot of "substitution", selfish and exclusive The extreme swelling of erotic desire has led to the darkness and darkness all the way to the end, and also brought endless pain to countless toys.
What's better than nostalgia is how to treat nostalgia. Pixar can spread this truth in such a short period of time that it is pure and thorough but low-key without a trace. It is really worthwhile for movie fans to treat it for a year. At the end of the movie, the toys sit on the sunny steps of Bonnie’s house. They are no longer melancholy and nostalgic, but with a new smile to watch Andy leave. This pleasing picture has a symbolic meaning that is worth chewing repeatedly.
This is actually a kind of life philosophy "under Mount Fuji". Loving someone is like loving Mount Fuji. You can see it, but you cannot move it. Is there any way you can move a Fuji mountain, the answer is, you walk over by yourself. The same is true for emotions, shopping is enough. Whether it is 70, 80 or 90, the problem they have to face is actually the same: growth itself is a process of letting go.
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