The Total Eclipse soundtrack master wants to be popular~~~ Well, you are popular with me! (Ending analysis completed)

Stephania 2022-01-25 08:01:29

There are so many movie theaters in the world, and there are so many movies in the movie theaters, but I did not catch up with this one sooner or later. This is the legendary ape dung. Unexpectedly, I always thought that I and the old horse were not destined, but the gods shook hands somehow.

Predestined destiny is all kinds of destiny, but no destiny is in the final analysis-not my food. Lao Ma is not my food, because I am a fake and high-ranking criminal who always thinks that he is too straightforward and not subtle enough to leave behind. Straightforward is more exciting, more lively, and more impactful, just like Xiao Zhengtai in the sports department, but I like to laugh without smiling, not a lot of words, just the uncle who just stares at you. When bt comes, there is no solution.

First of all, he picked-in Lao Ma's words, the verb should be preceded by "surprisingly"-a very pleasing book. This kind of entanglement in the past, the reality entangled in the dream, the trauma and redemption are parallel, and the tone that greets the Emperor of Truth is the tone I love. And the old Ma played very subtle this time-at least he had to endure it well for the last twenty minutes of the film. This old man was very smart and lively, but in the end he was clever and had the upper hand.

At the beginning of the film, the smoke bombs were thrown a lot. Half of the credit for this should be the original. Although I have not read the novel, I firmly believe that the first line of the male protagonist "Teddy, cheer up! It's just tmd flooding the sky" (to the effect), which is definitely from the original. The other half is Lao Ma's playful mind-playing with the audience's mind. At the beginning of the film, I was still trying desperately to guess: "I said why the sea and sky behind this are so like a set board? How is this gameplay? What do you mean? A dignified old horse, not even an island can’t be shot on the spot. Right?" "This is an isolated island, a fugitive, and a storm. Is it possible to imitate a grandma?-or Kindaichi?" "Ah, what's the matter with the zoom in from mid-air? The Shinning? Wouldn't there be a supernatural event happening behind the horror movie" (To be honest, I really wanted to leave when I thought about it)


In this part, I really want to greet the soundtrack master-how much does he want to be popular ? ! How much does Nong want to be popular? ! Isn't it just that the detective was killed on the island? ! I'm afraid that others don't know why this movie has a soundtrack master?

Of course, when Mahler’s quartet came out, I knew the responsibilities of the soundtrack master and his extraordinary ability. Although I am not used to checking the cast list of this project, I will recognize this master next time (yes, referring to Is you). Actually, I don’t even know who put others on it, but Mr. Mahler doesn’t know why it is such an existence in the film soundtrack-it must be related to death and psychological problems (or people who love to write such stories are Love Mahler?), it’s always like this, why I’m instinctive. If you take this quartet as the theme, it can be said that the most outstanding part of the film is the soundtrack that revolves around this theme and has a good grasp of rhythm, including several highlights where there is no soundtrack-such as the male protagonist bombing the car, and On the eve of crashing into the top of the lighthouse-the time point and the blank part were also in the atmosphere.

As a director, Lao Ma chose a very competent soundtrack master. The foreign affairs played with my mood in various ways at the beginning. The quartet also appeared with extreme aesthetics. There were a few shots that I traveled to the United States. "The Past", especially when the male protagonist visited the doctor’s apartment for the first time, that is, when Mahler first appeared. The layout of the room, the lighting method, and the color treatment are very Italian-American—not completely. It is retro with a dreamy and unreal tone. Later, when Teddy entered the room again, the old horse was more like Leone's upper body-when Teddy turned around, he jumped and cut to the panoramic view. The cigarette smoke surrounded him (later cut back to the close-up, obviously there was not so much smoke. I don’t know if the smoke in the panorama was post-made); the ashes scattered like snowflakes in Teddy’s dream are in direct contrast to the rain outside the window, the rich colors in the doctor’s apartment, the gloomy sky outside, and the oriental flavor in the dream. The decorations... You should use the shot of the male protagonist and his wife embracing in that room and she was on fire as a poster. The poster is still straightforward + thriller.

Although the old horse behaved a bit evil this time-whether it was the subject matter (well, the theme of redemption is not partial to him), or the shooting method, but the queen actor is still the one (this, it should be said Lao Ma’s infatuation is gone? Really, regardless of whether the poor, the rich, the handsome, or the fat, will never leave Leo). I don't know when Leo met Lao Ma. This posture seems to want to surpass T. Burton and J. Depp's Hollywood Gothic twin treasures in terms of output! Leo’s children’s shoes have lost weight, and there is a big show of meat sales in this film. It can be seen that the figure is also very fit. At this time, it is not to discuss the issue of beauty-it is actually not a problem to put it in a crowd. But why do I habitually comfort me when I see him, "Rimbaud, it's so risky that you will die when you are a teenager!!! Otherwise, if you become an uncle, you will die like this!" Face, thank you). I researched and studied, and in summary, it is still a temperament problem-Leo children's shoes, you can quickly ask if this baby face can be adjusted, your face is too short! Head·too·small! (Leo’s fans really please don’t slap your face) In
terms of acting skills, not only did this kid's shoes not calm down as I expected, but they tended to become tighter and tighter. I really want to reach out and rub Pingyi’s eyebrows, and say to Yi, "Hush~~~Life is like a play, and a play is like life. There is no life and no play, rela~~~~x, sometimes actors All you need is hints, hints are fine, you don't need to be so full of all emotions. This is also a rhythm." Of course, Leo's children's shoes have a moment that belongs to him. The shot of kicking off the German officer's pistol, I don't know if it was because it was shot upside down. It was just right, very good. This year, the little golden man, I will still cross my fingers and pray for you.
Hey, I haven't bothered to do this for Xiaopi. I hope that Lao Ma can really lead you to get one.

----------------------- Great spoilers! Please avoid the following if you haven't watched the movie -----------------

The beauty of this movie, or novel, is that it was cut from the perspective of a mentally ill person from the beginning. It means that most of the time the audience only accepts the reality in the brain of this patient. This is different from many previous works about dream interpretation or mental illness. Although "The Mechanic" is also cut from the perspective of the protagonist, because of the magical route that the work takes, the mystery unfolds around the protagonist from the beginning, so most of the audience At the time, it was still analyzing the protagonist and his behavior. It was still a "bystander" rather than a "traveler". In this movie, it was like a detective or a suspense movie for a long time, allowing the audience to follow the protagonist to observe the surrounding environment and subconsciously. It rationalizes everything and finally achieves the same line as the protagonist, taking his perspective as the Emperor of Truth, so that it can achieve a 100% subversive effect when the final truth is revealed, which is very exciting. The premise of all these stimuli is that the front must be very careful, those about water, lines about violence, and the environment that I disliked at the beginning as a set (the entire closed and stormy external environment actually represents men. The Lord’s closed heart to reality), these undercurrents must be present, and the audience must be high-five at the end, "it is so", but not much-at least it tricked me into the past, it can be said to be a success.

I am particularly interested in topics related to trauma and disordered memory. What kind of world is in the brain of mental patients is also a question that I am curious about. This time, no matter how close you are to reality, at least it is rare to have a chance to visit the world in the mind of a mental patient. It is still very interesting. At the same time, we have to think about that very annoying question-does reality exist outside of our perception? Of course, as a good young man who has been educated by materialism, he should definitely answer "Yes." But what is "being"? Even if the truth in the outside world does not depend on human will, all we can know is only selective remembering, selective forgetting, and selective distortion of the data in the brain. If we cannot know for sure which are true and which are false, what is the difference between "has" and "no"? And the only way for us to get the truth from the false is to rely on him in many cases-if the whole world says you are a lunatic, would you still dare to confirm that you are really sober?

ps: Last month's picture was broken. I wanted to talk about it and I just returned to the computer to look forward to it, but I immediately found out-I am used to the big screen, and it is awkward to watch movies on the computer. So I took the card while UGC was still in the event
On the first day I entered UGC, I discovered that their home is blue. Now it’s as if someone said, “Except for the yellow skin and the redness of certain internal organs, which cannot be changed, you can choose blue ones!” I am completely paranoid. The same monthly fee of 19.8, I feel that UGC has more automatic ticket vending machines than Gaumont, and the touch screen is more sensitive and the interface is more friendly. The interior decoration feels very American~~~ The aisles are full of black-and-white photos of stars, and there is also a kind of fu. The chairs are also all blue. The seats are U-shaped, and you don’t feel comfortable sitting a bit too far. This design is not as good as gaumont. And I miss the opening of gaumont... After all, I have been with me for so many years, and I have everything about me and most of you on my movie list. I will miss you deeply (you can only ask the sky why mk2 red apricots are out of the blue)

-------------------End (in I don’t think it’s necessary) Analysis ----------------------
In fact, about the ending, at least until D’s suggest another possibility, I think it’s nothing. Suspenseful.

First of all, the director's name is Martin Scorcese, not David Lynch. It can be said that human nature is not the expertise of the old horse, but the hero (otherwise, I would not change Infernal Affairs to shoot like that). No matter what is written in the original novel, at least as far as the language of the film is concerned, the director firmly recognized that the male lead is mentally ill. The final question left is not whether he is sober in the past few years, but when he finally meets (at least he (Psychological) whether you are awake at the time of death. If the mistakes made are irreparable and cannot be redeemed, how should we face and treat ourselves - this is the problem.

In terms of lines and details, at the beginning Edward had a huge reaction to the water. After he got on the island, he began to have strong seasickness and headaches (the first aspirin was his own request), and they had to hand in guns after they went ashore. At that time Chunk couldn't pull out the holster for a while, and when interrogating patients, he knew how to make him go crazy. The fake Rachel hugged him nonsensically, first crying, then suddenly asking who he was, and so on, all the details that seemed to be absent were all paving the way.
In terms of the plot, in fact, when Edward vowed to Chunk that he came up to save Andrew, not to kill him, and when he turned around, he kept seeing his wife in his dream asking him to take care of Andrew. I already began to suspect that this man had a double Personality (but I still didn't guess the ending and was fooled). When he later almost strangled the patient who attacked him, his personality had already gained the upper hand, and this development was smooth.
If you put it in a novel environment, his psychological changes also correspond to the changes in the weather on the island. The more his true personality was revealed and the closer he was to the truth, the more his emotions fluctuated, and at the same time the more intense the storm on the island. And it’s very interesting to put his plot about Chunk and his plan in the small church in the cemetery. In fact, it corresponds to the reality that the patient Andrew, as Edward, is confessing his fault to his attending doctor (although Mental patients live in their own world, but every imaginary plot is still contrasted with external stimuli. For example, Chunk showed him Andrew’s admission certificate, but he refused to look at it. In fact, take a look at the conditions at the time. There is no loss, this is actually the patient denies his identity in reality and is unwilling to face the evidence).
Logically speaking, if Edward was the real one, then the note about Law 4 and 67 patients would be completely meaningless. In fact, when he met Dr. Rachel in the cave, he did not ask this question. If he were a detective, this would be a technical error. If he is a patient, it is because this note is the truth hidden in his subconscious mind. Of course, the explanation of the latter is more smooth. And that little girl, Edward dreamed of himself, no one had shown him a picture of Rachel’s child, and this child was standing with his dead wife when he bombed the car. By this time he had already realized Rachel. He and his wife are actually the same person.
And Mahler is most famous for his symphony, and he is Jewish. The reason why the Nazis appeared on that occasion after coming to power is already a conflict in itself, and he also used a piano quartet, which corresponds to the names of the four doubles. of. And there are two versions of this theme, which also correspond to two kinds of personality.

Of course the most obvious is the color. When Andrew imagined himself as Edward, the whole picture was gray and foggy. When he recalled the memories of the past, the color and brightness of the picture returned to normal, neither in the dream state. The over-saturated colors are not so dark and dark as imagined in the world. They are completely true colors. From the language of the film, it is obvious that the director believes that the memory, including the part after the memory is over, and the part after the truth is recognized, is the truth. This is also the difference between distorted memory and real memory. Distorted memory always has something unreal, vague, and unwilling to touch too much, while real memory actually exists there, in a certain place. The conditions can be restored and fit in every detail.
In view of the ending of this film, I didn't see where there was any doubt. Everyone has watched the movie for 20 years. If I were to provide a shadow of childhood as a realistic example to prove it, it would not only hurt feelings, but also humiliate everyone's IQ.

I will read novels when I have time. But it’s very busy at the moment, there are 15 halls in ugc’s les halles, I’m in a hurry

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Extended Reading

Shutter Island quotes

  • [recurring line]

    Teddy Daniels: We gotta get off this rock, Chuck.

  • Warden: Did you enjoy God's latest gift?

    Teddy Daniels: What?

    Warden: God's gift. Your violence.

    [Daniels looks at him blankly]

    Warden: When I came downstairs in my home, and I saw that tree in my living room, it reached out for me... a divine hand. God loves violence.

    Teddy Daniels: I... I hadn't noticed.

    Warden: Sure you have. Why else would there be so much of it? It's in us. It's what we are. We wage war, we burn sacrifices, and pillage and plunder and tear at the flesh of our brothers. And why? Because God gave us violence to wage in his honor.

    Teddy Daniels: I thought God gave us moral order.

    Warden: There's no moral order as pure as this storm. There's no moral order at all. There's just this: can my violence conquer yours?