Shameless bastard wakes up the phrase "run to Cannes"

Dagmar 2022-03-21 09:01:05

Watching "Shameless Bastard" I think of "Kill Bill" again, six years later.

Quentin’s movies like blood, the reason is that he was poisoned by Shaw Brothers martial arts and horror B-level movies, the scarlet of the film, it is said that the plasma consumption of those props are calculated in gallons, the most impressive is " "Kill Bill Vol.1", the blood red splashed by Sofie in the gown after breaking his arm, and the bride's sweeping army when she smashed the Madman 88 It was frightening.

Now this unscrupulous miscellaneous army deeply feels that Uncle Quentin realizes the importance of accumulating morality. It is no longer like the pure pursuit of fishy wind in the past. He has begun to think about the juniors who love movies, pay attention to theory, and take a German film history class. It's a lot of convergence. There is still a headshot in the film, but it is also changed to a long-term view, which is still an old problem, no explosion is not Quentin! The plot of scalping reminds me of the battle between the Revenge Bride and the Water Viper in Chiba House. At the end, Ishii played by Liu Yuling was also scalped. No, it should be the whole skull, the brain is directly exposed to the air. A close-up of Ishii's head from top to bottom, and the protruding piece is extremely unnatural. In "Inglourious Basterds", close-up shots of the miscellaneous army scalp behave more like scalping a fast-red rag on the original hair. Don't worry about it, just understand the meaning.

The uncle also began to accumulate morale, and he had created too many slobber battles in the film before, such as vulgar novels, which drowned people in the spit stars at the beginning of F. The more he smashed his head and covered his face, the uncle was refreshed. Isn't it said that the United States is the United States of the world, so Americans can't hang themselves on a tree in Hollywood, so the uncle went sideways in Germany and explored the language. So in this spoof historical drama based on the World War II background, we heard tough German, stubborn French, and of course swollen Italian. The Italian language is rare but still thundered. This nasty effect is attributed to Uncle Pete. In this film, he appears as a pair of brows from beginning to end, vomiting a lot of idiots who had been loyal to him, and then he has to take a bite of Meijingbang. The Italian language is confused, hey! An idiot will believe that he is Italian. When "Kill Bill" became popular, there were related film reports that counted the number of dirty words in Quentin's movies, saying that "Kill Bill" was already quite clean. Now when I look at "Shameless Bastard", what I can hear is basically the dirty American words, and the words are round and the curses are complete, but there are not many. For the diehard Quentin, the silly quotations that do not start with F, whether you are German or French, sound like arty literati, or just drunk nonsense.

The overwhelming dialogue is the lifeblood of the uncle's movie, and Quentin himself is like Tang Seng. For example, the harmless Vincent and Jules, the two bastards in the vulgar novels, the burger problem before the brains of others can make them chat like a pot of porridge. Going back to "Shameless Bastard", if you want to chat, you have to use your mother tongue, and you have to force French people who don't like to speak foreign languages ​​to accompany you. Uncle is very bad! So in view of the lifeblood of Quentin's movies, audiences who are annoyed by the miscellaneous enemy Hans Landa can bear with it. That is a gimmick in front of the show. Those who are accustomed to Quentin’s chat leisurely enjoy the repeatedly mentioned “Monsieur, LaPadite” because he is addicted to drinking milk. When writing, he flattens the paper that is aligned with the edge of the table and puts the ink bottle in a regular manner. Ink the fountain pen steadily. This series of actions is clean and tidy. At first glance, the details of doing things for the Germans are rigorous. In fact, Quentin's good portrayal of the characters' quirks is an excuse. So Hans Landau is annoying, it's only when I'm so annoying that I love it in my heart.

Destroying flowers has always been Quentin's fragrant hobby. In the early years, the uncle liked black-haired women, because of his serious Asian complex, now he has become obsessed with blonde stunners. In "Kill Bill", there are two tyrannical women, one of them also likes to wear nurse costumes and whistle in the hospital. Wandering in. Don't mention the past, the uncle has never been the master of playing cards logically. He likes to mix and match a variety of flavors, so he stretched his claws to Europe. Diane Kruger from Germany and Melanie Laurent from France. The former is because Helen in "Troy" once made me disappointed, and the latter is because she is madly in the dust and smoke in a few innocent French films. See you soon. But Uncle Quentin has the power to turn decay into magic, so that the performance of the two girls overturned my previous concept.

Destroying the creed is that beauty will eventually die out. The cruel creed is that the more beautiful you are, the more miserable you will die. As for the method of death, it must be based on the uncle's mood. So von Hammersmark and Shosanna Dreyfus in "Inglourious Basterds" are bound to die, and so is the Francesca Mondino. Julie is a beauty translator again this time) von Hammersmark was strangled alive by Hans Landa, and the facial expressions when struggling were extremely braised. Shosanna was shot and killed by Zoller because of sympathy. She was in a red dress, and plasma and shrapnel flew upside down, making her death dazzling, like a dahlia. Francesca's coquettishness was killed by a slaughter in the theater. The corpse was smashed into a hornet's nest, and finally had to be reduced to ashes by film with the shrinking Goebbels. It's miserable. It is estimated that the uncle is sitting in front of the monitor with a big smile on his face. But don’t forget, there is Xiaoqiang hidden in the uncle’s woman. Xiaoqiang among the shameless bastards is von Hammersmark. The gunfight in the basement. In the narrow space where bullets fly, it is obvious that Stiglitz and the British Confederate stunner hit von Hammersmark with random shots when the SS egg was exploded. It was unexpected that von Hammersmark stood up again in the deadly silence after the wild sweep. In "Kill Bill Vol.2", the revenge bride was hit by two Winchester 1887 bombs and exploded in her chest, but she still got up vigorously and couldn't die! This is Quentin's old routine!

Quentin's extra history lesson. Perhaps the uncle has the rebellion factor in his bones, but the conditions for victory in rebellion are innovation and wisdom, otherwise it will be cannon fodder. The uncle's opposition is World War II this time, and the center is to uncover the mystery of the death of the head of state. In response to this unsettled case of the century, he uncovered the mystery of the other people's screaming, that is, Hitler, the head of the Third Reich, died at the hands of the film, and the murder weapon was 35mm nitric acid film. Seeing this, I can't help but grab the keyboard with my head. The reason is simple. Quentin speaks for the image. In the era of image reading, the instigation of images completely defeated the provocative nature of words. The history of the 4D pile is written by the winner, and now the movie is victory, and the history Quentin puts before us is the movie. Written, the fascists are the martyrs who would rather die than surrender allegiance to the party-state, while the Allied army is a miscellaneous army set up temporarily, headed by the American bandits, and they are all rogue little hooligans. Ironically, the victory of anti-fascism is the conclusion of the days of troubled times. It has nothing to do with justice and tactics. It only blames Hitler for his life, and ultimately loses his life to the Empire.

Finally, I want to mention the verdict, the second song from the original soundtrack. Quentin is a good music lover, and his collage soundtracks have the effect of bringing back the dead. The opening of the movie was a kind of retro tune. Not long after, the piano sound to Alice suddenly sounded, and my hair was straight up. This tune, which was born in the 1980s and was so bloody, was actually murdered by CET's hearing. As a result, it is unavoidable to think that counter-cultural aggression is very easy. As long as I put more Western famous songs before my language test, until the children's shoes who are constantly fried rice hear the collapse, I believe that the geniuses who are ready to try are rare after all, especially the beauty. Hospital. Pull away! This adaptation of Morricone in Quentin's film became pleasing again, which made me listen to the original song for Alice.

Watching movies, in fact, I am not a bloodthirsty monster, on the contrary, I am more afraid of blood. There are a lot of classics in many blood-filled movies. I have given up a lot and don't want to miss Quentin's story again. Goodbye today, Quentin’s work still has the excitement of 6 years ago. He himself is like an inspirational film. No matter what the movie is born, people who are not under the school can still dream of movies. At the same time, it awakens the sentence that is deeply buried in the hearts of Xiaosan and me. The slogan "Running to Cannes"

PS: The translation of the name "Xie Mo hits the murderer"

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Extended Reading

Inglourious Basterds quotes

  • Col. Hans Landa: The feature that makes me such an effective hunter of the Jews is, as opposed to most German soldiers, I can think like a Jew, where they can only think like a German... more precisely, German soldier. Now, if one were to determine what attribute the German people share with a beast, it would be the cunning and the predatory instinct of a hawk. But if one were to determine what attributes the Jews share with a beast, it would be that of the rat. The Führer and Goebbels's propaganda have said pretty much the same thing, but where our conclusions differ is I don't consider the comparison an insult. Consider, for a moment, the world a rat lives in. It's a hostile world, indeed. If a rat were to scamper through your front door right now, would you greet it with hostility?

    Perrier LaPadite: I suppose I would.

    Col. Hans Landa: Has a rat ever done anything to you to create this animosity you feel towards them?

    Perrier LaPadite: Rats spread diseases. They bite people.

    Col. Hans Landa: Rats were the cause of the bubonic plague, but that's some time ago. I propose to you, any disease a rat could spread, a squirrel could equally carry. Would you agree?

    Perrier LaPadite: Oui.

    Col. Hans Landa: Yet I assume you don't share the same animosity with squirrels that you do with rats, do you?

    Perrier LaPadite: No.

    Col. Hans Landa: But they're both rodents, are they not? And except for the tail, they even rather look alike, don't they?

    Perrier LaPadite: It's an interesting thought, Herr Colonel.

    Col. Hans Landa: Ha! However interesting as the thought may be, it makes not one bit of difference to how you feel. If a rat were to walk in here right now, as I'm talking, would you greet it with a saucer of your delicious milk?

    Perrier LaPadite: Probably not.

    Col. Hans Landa: I didn't think so. You don't like them. You don't really know why you don't like them; all you know is you find them repulsive. Consequently, a German soldier conducts a search of a house suspected of hiding Jews. Where does the hawk look? He looks in the barn, he looks in the attic, he looks in the cellar, he looks everywhere he would hide. But there's so many places it would never occur to a hawk to hide. However, the reason the Führer has brought me off my Alps in Austria and placed me in French cow country today is because it does occur to me. Because I'm aware what tremendous feats human beings are capable of once they abandon dignity.

  • Col. Hans Landa: Tell me, Aldo, if I were sitting where you're sitting, would you show me mercy?

    Lt. Aldo Raine: [after a long pause]

    [smiles]

    Lt. Aldo Raine: Nope!

    Col. Hans Landa: What's that English saying about shoes and feet?

    Lt. Aldo Raine: "Looks like the shoe's on the other foot." Yeah, I was just thinking that.