The projection room is really haunting. She regarded him as an enemy when she shot; but when she ran the replay window and saw his resentful eyes on the screen, she felt that he was just a person who hated war; so she looked back to see if reality was consistent with her thoughts, and found blood The Chinese-Belarusian uniform is just a young man who is in love with love. Then she walks towards his back in the music. Although the music brings out tenderness, you are still not sure what it is to pave the way for-it may be a guilty heart; it may be a sigh; it may be that all irrelevant identities are removed at the time of life and death. , She only regarded this as a man who loved her; maybe she was just curious and wanted to know his expression when he died; or she could take another look at the same man who was teased by fate and was equally determined.
He could guess when he shot, but he couldn't guess what he was thinking when she walked forward before shooting. Is it the fighter's instinct to fight? Is it revenge? Is it hate? Hate her because she doesn't love him? Or was it because she killed him? Or does he think the two are the same? Seeing her flying away like fireworks (in all shooting scenes Quentin arranged for a lot of material to break apart and fly away, also when she shot the floor at the beginning), her white neck fell back on the ground in the red dress, like a swan weeping blood. Before he fired the last shot, he stared at her painful face for a while, his eyes made you wonder whether it was content? Is it comforting? Is it unbearable? This shot can be used to end her life, or it can be used to end her pain.
Moreover, the freeze frame in the relative position of the two of them repeatedly appeared three times after their death. The white innocence, the red charm, and the color of the clothes metaphor a kind of attraction, but the positional relationship destroys this attraction. You can see that two beautiful things in human nature are Destruction, a very strong conflict, and the light in the room is flickering and dimming, and it is in charge of a delicate balance.
After the British spy who pretended to be the German army from the tavern was shot to death, it was unsure how Quentin wanted to go down.
The most awesome thing about Quentin is that other directors want to make sense of their own stories, but he doesn't have to. In fact, the real life experience of the viewer tells us that only lies need to make sense, and reality does not. When one surprise after another is advancing faster and faster in the plot, you start to expect such a burst of passion without making sense to be true. Quentin's climax gives you such a momentary trance, it seems that your expectations have become true. In fact, what the master of true storytelling gives you is a perfect life experience.
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