No Country for Old Men

Sigurd 2022-03-20 09:01:11

Dongmu is an old angry young man in the film, and after his wife died, he couldn't understand anything. In other words, he has seen everything. On the battlefield, life and death can be ignored, but order and dignity must be maintained.

Nowhere to go, Tommy Lee Jones babbled and said, what’s wrong in the current society, children dye their hair and wear nose rings, in order to cheat some social security and kill people. He didn't see the blood, but didn't understand this way of killing, making money, and entertaining. This is no longer the world he is accustomed to.

The older generation of Americans talks about independence most. So when Dongmu’s son sent him a pick-up clip and suggested that he go to a nursing home, it was implying that he was too old and could not live independently, so he was so angry; when his granddaughter asked for a classic car, he was hurting him. Independence also revealed that he was lazy and reaped without pains, which made him look down on.

The son and daughter-in-law represent a typical middle class, under the veil of warmth and openness, revealing selfishness and cowardice. The chattering between the old man and the barber can be regarded as a conversation between men; in fact, the old man likes Su because she doesn't speak soft words, whether in front of gangsters or in Dongmu Cha. In contrast, the daughter-in-law's seemingly affectionate rhetoric, including the pastor's rhetoric, made the old man hate.

Why would Dongmu help Tao? In fact, he taught pottery to work by hand, introduced him to the work on construction sites, and gave him a classic car (but not to decorate it indiscriminately). These things reflect the value of the old man. He is still useful. It is not that he can't help

but cannot take care of himself; more importantly, the appearance of Tao gives Dongmu a chance to re-verify his values. Su said that her father was too old to be traditional. Dongmu said, I am also traditional. Su said, you are different, you are white. This is quite interesting. The old man’s tradition is outdated in his own children, but in the new immigrants, it’s the orthodox American culture, which is cool. It is this strength that runs around with the old man, and it can be regarded as the death of a confidant.

The old had nowhere to go. Finally, Tommy babbled again and had a dream, dreaming of his father. His good times are left in the past. In this classic Dongmu car, the spirit of the old man couldn't be retained, so he had to throw it away to the new immigrants.

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Extended Reading
  • Wiley 2021-10-20 18:59:02

    Why can Walt accept foreigners easily and pay a lot for them, but he still refuses to be close to his relatives, even with hostility. This is where I find the whole movie very difficult to convince people.

  • Raina 2021-10-20 18:59:34

    The two funerals at the beginning and the end of the film reflect each other. At the beginning is the wife lying in the coffin, and he looks sad; at the end, lying in the coffin is himself, but he has a peaceful face, and powerfully explains the subtleties between life and death. relation. He rescued Sue and TAO, and he also rescued himself. The iconic Eastwood-style long shot ending is really meaningful.

Gran Torino quotes

  • Father Janovich: What can I do for you Walt?

    Walt Kowalski: I'm here for confession.

    Father Janovich: Holy Jesus, what did you do?

  • Walt Kowalski: Relax, zipperhead. I'm not gonna shoot you. I'd look down too, if I was you. You know, I knew you were a dipshit the first time I ever saw you. Then I thought you were worse with women than stealing cars... Toad.

    Thao Vang Lor: It's Thao.

    Walt Kowalski: What?

    Thao Vang Lor: It's not Toad, my name is Thao.

    Walt Kowalski: Yeah, well, you were blowing it with that girl who was there. Not that I give two shits about a toad like you.

    Thao Vang Lor: You don't know what you're talking about.

    Walt Kowalski: You're wrong, eggroll, I know exactly what I'm talking about. I may not be the most pleasant person to be around, but I got the best woman who was ever on this planet to marry me. I worked at it, it was the best thing ever happened to me. Hands down. But you, you know, you're letting Click-Clack, Ding-Dong and Charlie Chan just walk out with Miss What's-her-face. She likes you, you know? Though I don't know why!

    Thao Vang Lor: Who?

    Walt Kowalski: Yum Yum. You know, the girl in the purple sweater. She's been looking at you all day, stupid!

    Thao Vang Lor: You mean Youa?

    Walt Kowalski: Yeah... Yum Yum... yeah... nice girl... nice girl, very charming girl... I talked with her... yeah. But you, you just let her walk out right out with the Three Stooges. And you know why? 'Cause you're a big fat pussy. Well, I gotta go. Good day, pussycake.