Maybe it was inspired by the word violent aesthetics,
maybe it was seduced by Inlgorious basterds,
or maybe it was because of the non-exclusion and majority recognition of the narrative method of QT movies in my body.
I have to say that his music does add personality to the overall atmosphere of the film.
I have always been immersed in the ocean of reality. For me, it is
really difficult for me to pull me away and invest in another situation.
But IB did it, and pulp fiction did it. When it comes to
this kill bill one, it seems far-fetched,
especially when the music is doing strange things. The scene is very
fragile. Although I agree that life is extremely fragile, QT believes that human energy can be infinitely
capable of will and superpower, blood can gush out like a fountain, and the head can be instantaneous. Digging into an empty shell
cannot deeply explore his thoughts and intentions in filming through the first-hand data area,
but guessing is always one of the best ways to make up for time and space.
Sometimes I think, if I grew up seeing things I shouldn’t see when I
grow up. Does it lose everything that can be called a normal person in the social measurement scale,
which is extremely ugly, dirty, disgusting, violent, and how can it be called aesthetic
violence? How should aesthetics be defined,
although it is not as black as sin city
However, the shallow level of violence is indeed completely
white ghosts through the "samurai" , the Chinese-American mixed blood, and the Japanese samurai, which makes me start to be disgusted and labelled.
However, if I lose the tag, it seems to be a melting pot of no rules.
I am very Contradictory, it’s illogical, the
time is up, and I’m
not going home from work ...
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