There are only three Eastwood movies that are impressive. The first is "Million Dollar Baby", the second is "Never Forgive", and the third is "Classic Cars." "Millions" is impressive by the screenwriters, "Never Forgive" is an unforgettable style, but "Classic Cars" is unavoidable to turn their eyes to Eastwood.
After watching it for a long time, I remembered that I once saw the introduction of this movie on the AARP website. At that time, I was puzzled by the so-called American descent, and it was true.
Someone has analyzed the connotation of many movies, including sin and salvation, western and middle class, edge and golden mean, old age and 21st century, racial discrimination and universality of human nature, western and white perspectives, and they are all right. However, in "Master In "Car", I don't want to analyze.
I just enjoy Eastwood’s tearing old voice that seems to be scratching his fingers on the glass when he drove his shiny vintage car with a beautiful Daisy along the coast of the United States at the end. song.
So old, tactful, sigh, indifferent.
The coast of the United States is like a distant but increasingly close metaphor, compared with the daily life in life, it is unspeakable melancholy. Tears rolled in his eyes, and my heart was warm. Some people say that it is not the song that touches people's hearts, but that people's hearts themselves are often waiting to be touched. I admit that I would not move forward, spinning around, indulging in this borrowed warmth. But I still have to say, thank you, Eastwood.
View more about Gran Torino reviews
