Fargo

Jamison 2022-03-20 09:01:03

I like the restraint of the Coen brothers. The desert wasteland in "Old Nowhere" and the vast white snow in "Ice and Blood Storm" are a bit different in the same way. Cowboys can be disoriented by the dazzling sunlight, and funny son-in-law can also be burned by the sun reflecting off the bright snow. . The same coldness and absurdity are all illuminated under the same light, which may be what the Coen brothers are good at. I feel that "Ice and Blood Storm" does not have too many Coen brothers' colors mixed in it (maybe I have only watched "Old Nowhere" so that I am not deeply involved in the world). Only Mr. Pink saw the shadow of the cowboy when he was hiding money in the snow. , And the shadow of that box.

Mr. Pink is the name in "Falling Water Dog", this name is wonderful, and I still remember Mr. Pink's phrase "Am I the only professional?". The police twice obtained statements from witnesses about Mr. Pink's appearance. The same word "strange" really summed up Mr. Pink's hideousness. Quentin and the Coen brothers are the same in their treatment of Mr. Pink, and they are jerky and crooked characters (I heard that Mr. Pink also appeared in "Pulp Fiction", but I didn't pay attention at that time). In addition, when the Indians beat Mr. Pink, they really saw the quality of the skin of the gold medal supporting actor. It was a bit pink, white and red.

The Indians appeared as intermediaries and introduced business to both parties, but both families were weird. When Indians see a pregnant policewoman, they can only jump out word by word (not as good as a funny son-in-law), and use coldness to hide their cowardice. When he beat Mr. Pink with the belt, he cursed and made me listen to his inner cry. Fear of going back to the prison, fear of being ups and downs like he bullied Mr. Pink. The tall Indian is like the elder in "Flying Over the Cuckoo's Asylum." He is also hidden, except that the one who is hiding is timid.

The pregnant policewoman is an image of a dry detective that I have never seen before. It is gentle and elegant. There is not even a dirty word when handling the case. It is for prenatal education. I had a relationship with a pregnant policewoman in "First Fear". Although she didn't show up in the movie at all, I still remember this one, and she looks really unique. When the pregnant policewoman came to the boss, the one was stuffing Mr. Pink into the wood chipper. The pregnant policewoman spotted the boss's feet, because the United States really talks about human rights. At the end, the pregnant policewoman tells the story to the boss like a preaching. In fact, mothers are always different, and they should also accumulate virtue for their children. I noticed the seven-pointed star badge of the policewoman. I used to think that the American police badge was a six-pointed star when I saw it in western movies. Later, I also saw the five-pointed star. Now the dry detectives in the film are all in plain clothes, and occasionally they can’t show their faces for 0.2 seconds even when a police badge is taken out of the wallet. I checked it online and found that there is not much information in this regard. Zippo has dumped a lot of them, but it seems a fact that there are a lot of police badges.

Boss is the name in "Prison Break", perhaps Abu is more cordial. The boss has gone away from us, so I really missed him a little bit, but ran into him here. This kind of intimacy is stronger than meeting T-Bag in "Everyone Says I Love You". The boss is also a cold-blooded character who jumps out word by word, and may only be professionally different from the coin tossers in "Old Nowhere". The boss has blond hair and doesn't care about human life but cares about finger scratches, and you can't blame the pregnant policewoman for catching you in a police car and preaching.

Talking about the cause of the whole incident, the funny son-in-law played the opponent with Spokesman in "Thank you for smoking", with a signature old face across the world. The funny son-in-law is actually not stupid. When he sold the car in the first part, he pretended to be stupid and sold the car to others at a high price. It's just that murder and looting can't be done by a silly son-in-law, and it's inevitable that you can get out of control if you cheat. When he came to the scene where his husband was murdered, he parked the car and saw the old man lying on the ground. The first action was to open the trunk. Obviously this guy doesn't know how to protect the scene, but it's rare that his filial piety does not let the old man get cold. At this time, I saw the introversion of the Coen brothers again.

I think of it for a long time since I watched a segmented film with a jumbled time, I have to find the feeling.

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Extended Reading
  • Edgardo 2021-10-20 18:59:07

    It's another black humor about money chasing. This time, the Coen brothers quoted the image style toward cruelty and nonsense, and used the absolute right to speak of the author's identity to unwittingly flatter the mainstream American life value. In fact, just as the policewoman who creates a family life cannot be understood as an unscrupulous life with money, so the "modern people" whose consumerism is deeply rooted in their bones cannot agree with the happy quality of their wives and children. 【7↑】

  • Thora 2022-03-24 09:01:03

    What a fxxking funny and serious and quite funny and quite serious and then not so funny but still very very serious movie this is.

Fargo quotes

  • Shep Proudfoot: [to Carl after he inadvertently put a police chief on Shep's trail who's an ex-con] Fuckin' asshole!

  • Reilly Diefenbach: [voice] Mr. Lundegaard? This is Reilly Diefenbach from GMAC. How are you this morning?

    Jerry Lundegaard: [into the phone] Real good. How are you?

    Reilly Diefenbach: [voice] Pretty good, Mr. Lundegaard. I must say, you are damn hard to get a hold of over the phone.

    Jerry Lundegaard: Well, we're pretty darn busy here, but that's the way we like it.

    Reilly Diefenbach: [voice] Well, that's for sure. The reason why I've been trying to reach you is that these last financing documents that you sent over to us... I can't read the serial numbers of the vehicles...

    Jerry Lundegaard: [getting nervous] Yah, well I already got the money. The loans are in place. I already got the...

    Reilly Diefenbach: [voice] Yah, the 320 thousand... you got the money last month from us.

    Jerry Lundegaard: So, we're all set then.

    Reilly Diefenbach: [voice] Yah, but the vehicles that you're borrowing on, I just can't read the serial numbers on your application. Maybe if you could just read...

    Jerry Lundegaard: Yah, but the deal's already done. I've already got the money.

    Reilly Diefenbach: [voice] Yah, but we have an audit here and I just have to know that these vehicles that your financing with this money that they really exist.

    Jerry Lundegaard: [getting more nervous] Well... they exist all right.

    Reilly Diefenbach: [voice] Well, I'm pretty sure they do, but I can't read the serial numbers here. Maybe if you could read the numbers to me on the first...

    Jerry Lundegaard: Yah... well... see... I don't have them in front of me. Why don't I just fax you over a copy?

    Reilly Diefenbach: [voice] No, no, a fax is no good. That's what I have here and I can't read the darn thing.

    Jerry Lundegaard: Yah, I'll have my girl send you a copy then.

    Reilly Diefenbach: [voice] Okay, that's good. But I need to tell you that if I can't correlate these numbers with those specific vehicles, then I'm gonna have to call back all that money.

    Jerry Lundegaard: How much money did you say that was?

    Reilly Diefenbach: [voice] $320,000. I have to correlate that money with the cars that it's being lent on.

    Jerry Lundegaard: Okay, no problem. I'll just fax...

    Reilly Diefenbach: [voice] No, no...

    Jerry Lundegaard: I mean send it right over. I'll shoot it right over. Good bye.

    [hangs up]